Answer:
When Papa welcomes them and let's them live with her.
Explanation:
Took the same course.
Answer:There are heroes today yes they are people around the world that help other people and saving animals and i do believe there are heroes today and the most heroic hero in this universe is god
Explanation:
Question Completion:
(Select all that apply.)
Add new features to the existing product to "recharge demand" for Product Z.
Reduce promotional spending for Product Z to a minimal level.
Introduce a new version of Product Z to attract a new market segment.
Answer:
The best reasonable way to extend the life of Product Z is:
Add new features to the existing product to "recharge demand" for Product Z.
Explanation:
The above option (unlike others) will ensure that the new features increase the market demand for Product Z. These new features must consider the needs of customers. Adding new features should not be for the sake of modifying or prolonging the life of the product but for the sake of satisfying customers' needs. Therefore, customers' requirements must be ascertained and incorporated in Product Z.
Dramatic irony is a stylistic device that is usually found in plays, movies, in poetry. Narrators use this irony as a useful plot device for creating situations in which the audience knows more about the situations or the causes of conflicts, and their resolutions before the leading characters or actors. That is why readers observe that the speech of actors takes on unusual meanings.
For instance, the audience knows that a character is going to be killed, or will make a decision to commit suicide. However, one particular character or others may not be aware of these facts. Therefore, the words and actions of other characters would suggest a different meaning to the audience from what they indicate to the characters and the story. Thus, it creates intense suspense and humor. This speech device also emphasizes, enhances, and conveys emotions and moods more effectively.
The suspense technique of dramatic irony is best described by:
The screenwriter lets the audience know something the main character does not, usually something important to the plot.