Answer:
me
Explanation:
his music helped me when i was going through a very rough time and I can relate to alot of his music .
Answer:
D. It has the sleek lines and geometric shapes of art deco
Explanation:
The Chrysler Building was the tallest building in the world between the years 1930 and 1931.
The building was built in a style that came to be known as Art Deco - an abbreviation for Exposition Internationale des Arts Décoratifs et Industriels Modernes-, an exhibition that took place in Paris in 1925, constituting an innovation for the style of a skyscraper, that is, it is representative of modern art.
During construction, auto magnate Walter Percy Chrysler bought the building, and he wanted the building to be a great status symbol for the Chrysler company, and that this would be reflected in both luxury and height.
From the point of view of luxury, the work presents very striking aspects of the building, both in the choice of materials and in the aesthetics of the building.
La respuesta correcta para esta pregunta abierta es la siguiente.
A pesar de que no se anexan opciones o incisos para responder, podemos comentar lo siguiente.
Las influencias culturales en las expresiones artísticas nacionales se ven reflejadas por la presencia dominante de alguna expresión cultural externa que ha permeado en la sociedad, y transmite su tradición e historia en la cultura a la que está influyendo.
Por ejemplo, cuando los españoles conquistaron Mesoamérica y Sudamérica, trajeron consigo sus propias creencias y tradiciones que impusieron a los indígenas de América.
Hablamos de dos cosas principalmente. Les impusieron su idioma: el Español. Y les impusieron su religión: el Catolicismo.
Los españoles se dieron la terea de eliminar a los ídolos que veneraban los Indios. Afortunadamente, nunca los eliminaron del todo. Lo que sí lograron fue imponer su idioma. y con ello, una serie de costumbres, tradiciones y cultura que hoy en día es parte de los pueblos Latinoamericanos.
is this a song or joke? Please, more details
Answer:
During the Industrial Revolution, many roads were opened to art and architecture, but all of them can be summarized in one: the freedom of creation. The industrial revolution and the bourgeoisie had their continuity in artistic expression. Since then, and until today, the art continues in that same direction