Answer:
She is worried Angeline will give up her own way of life to adapt to the new culture. Explain the relationship between Omakayas and Old Tallow. Old Tallow looked at Omakayas the same way that she looked at her dogs.
Explanation:
The right answer is C, as the principle of competition
between the musicians was the center of attention during a performance. Who can
more?... Who can better?... In this way they did their best attracting the
audience's attention.
The right answer is A) Cadenzas. They were parts of
concerts where musicians played solo. In fact, they could not improvise when
played in <span>the ensemble with
others, while in solo they had limitless freedom (according to the rules of playing
cadenzas and the overall style of the music). Moreover, in sheet music cadenzas
were noted only generally without details giving an opportunity to the
performer to invent it.</span>
Answer:
The Influences of an increased awareness of nature, a revival of classical learning, and a more individualistic view of man.
Explanation:
1940’s America was a cruel place for blacks. Segregation was imbedded in the code of law as well as the everyday fabric of life.
Defying caricature, White saw the people with whom he shared a culture as much more than marginalized and dimensionless.
Throughout capturing African Americans in a chronicle way, White's works not only represent an epitome of unfair discrimination which has been morally justified, but also speaking for the lower class of color people at them time, their strength to fight, and their shine in eyes will not surrender to this desperate, frustrating reality.
Answer:
Art from the distant past can appear surreal to the modern eye. Dragons and demons populate ancient frescos and medieval triptychs. Italian Renaissance painter Giuseppe Arcimboldo (1527–1593) used trompe l’oeil effects ("fool the eye") to depict human faces made of fruit, flowers, insects, or fish. The Netherlandish artist Hieronymus Bosch (c. 1450–1516) turned barnyard animals and household objects into terrifying monsters. Twentieth-century surrealists praised "The Garden of Earthly Delights" and called Bosch their predecessor. Surrealist artist Salvador Dalí (1904–1989) may have imitated Bosch when he painted the odd, face-shaped rock formation in his shockingly erotic masterpiece, "The Great Masturbator." However, the creepy images Bosch painted are not surrealist in the modern sense. It’s likely that Bosch aimed to teach Biblical lessons rather than to explore dark corners of his psyche.
Hope that helps :)
Explanation:
