Answer:
I think is sec I am not sure
Explanation:
The longest line in the poem colors of God is the third line of this poem.
<h3>The figure of speech </h3>
The figure of speech that is used to depict the rose laughing like a human is called personification.
The shortest line that he poem has is the 11th line. It talks about the things about about God.
The line why should he be black or white or green or yellow or even red is an example of a rhetorical question.
Read more on colors of God here: brainly.com/question/13282079
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The monster sees his family escape their cottage, so he burns it down and goes to live off of the land.
<h3>Why does the monster choose to help the family he stays with?</h3>
The monster learns the French language from the home and practices those words by himself. Desiring to keep his cottagers happy, the monster becomes an aid to the family by secretly hauling wood to the cottage and completing repairs, all under the cover of darkness.
<h3>Why did the monster burn the cottage?</h3>
But by the time the monster gets the cottage, the De Laceys have moved out. He sees Felix completing his lease with the landlord, and never sees any of them again. His last link with society eliminated, the monster gives in to rage and a desire for revenge. He burns down the house and heads for Geneva and Victor.
To learn more about Frankenstein, refer
brainly.com/question/21437674
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Answer:
<em>Omniscient third person.</em>
Explanation:
The omniscient third-person point of view is characterized by a narrator that always knows everything - what is happening, what the characters in the story think and do, he has an answer to any possible question because he is a know-it-all. This perspective in writing is very useful when the storyline is complicated and there is a lot of characters that need to unite that story and all of its events.
In the given example, the narrator not just sees what the character is doing, but also what she is thinking, planning, etc, so it matches the characteristics of the omniscient third-person point of view.
