Not sure what graph you’re talking about but i know that when you play an instrument the pitches are different regarding the note and tone you play
Answer:
Between his first recording session in 1944 and his death in 1991, Miles Davis changed the course of music many times. The first of these came with the short-lived lineups he assembled for a New York residency and three studio sessions between January 1949 and March 1950. The nine-piece lineup was unusual – few jazz bands used a French horn – and the gigs attracted little attention. The sessions produced a handful of singles for Capitol Records, later collected as an album called Birth of the Cool – these ensured the band’s shadow would prove longer than all but a handful of its contemporaries.
The recordings were the result of hanging out after hours at arranger Gil Evans’s basement flat. The punchy, brightly coloured Venus de Milo was one of three tracks the group recorded that was composed by saxophonist Gerry Mulligan. The epithet “cool” isn’t entirely helpful, suggesting a prizing of style over substance: this music is never aloof or detached. Rather, this is what you got when you tuned down the frenzy of Charlie Parker and Dizzy Gillespie and allied it to the kind of sophisticated big-band arrangements Duke Ellington pioneered. Davis was a fan – and a part – of both traditions: not for the first time, what he crafted was a fusion of preceding forms that changed what would follow.
Explanation:
Hello,
<span>This painting is called Washington Crossing the Delaware, by Emanuel Leutze. This painting describes the historic event when General George Washington led the American revolutionary troops across the Delaware River to fight in the Battle of Trenton. It was painted to show the bravery and fortitude of the American troops during the Revolutionary War, increase awareness of George Washington's prestige and leadership, and to remind Americans of their success in gaining independence from England.
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Hope this helps
