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hoa [83]
3 years ago
7

Write a paragraph not less than 70 word about

English
1 answer:
Liula [17]3 years ago
5 0

Teenagers can be individuals and not followers of a crowd by making the right choices. For example: if you see a kid/teen with a gun find help immediately and you could be a hero. I hope this helps.  

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THE CAPS ARE JUST TO CATCH YOUR ATTENTION! I'M NOT A CYCO! Are you afraid of dying? Well i'm a person from the afterlife, I died
adoni [48]

Answer:

1. *Psyco

2. I was never afraid of dying

Explanation:

8 0
3 years ago
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Levels of Heading: What format is used for a Level 1 and Level 3 heading?
Sergeeva-Olga [200]

Answer:

level 1 and level 3 format of headings explained.

Explanation:

According to the style guide of the publication manual of the American Psychological Association also known as APA style, headings identify the content within sections of a paper. They are used to simplify navigation through a document.

There are of 5 levels of heading in the APA style and level 1 is the main and highest level while all other levels are sub-levels of the previous levels.

format of levels 1 and 3

Level 1 format should be centered, bold, have a title case heading and the text should begin as a new paragraph.

level 3 format on the other hand should flush left, use bold italics, have a title case heading and its text should begin a new paragraph as well.

4 0
3 years ago
How does the conflict in the text best connect to the views of society in the late 1800s
telo118 [61]

Answer:

The conflict between Nora and Helmer shows how men and women could not agree on issues or successfully work together to solve important problems. The conflict between Nora and Helmer shows how gender roles were defined, as Helmer has complete control over everything, including what the couple discusses

Explanation:

6 0
3 years ago
Rhetorical analysis for slapstick
s2008m [1.1K]

Answer:

Slapstick is a type of physical comedy characterized by humour, absurd situations, and vigorous (sometimes violent) actions. The slapstick comic must often be an acrobat, a stunt performer and a magician—a master of uninhibited action and perfect timing.

Outrageous make-believe violence has always been a key attraction of slapstick comedy, and the form took its name from one of its favourite weapons, slapstick. A slapstick was originally a harmless paddle composed of two pieces of wood that slapped together to produce a resounding whack when the paddle struck someone. The slapstick first came into use in the 16th century, when Harlequin, one of the principal characters of the Italian commedia dell’arte, used it on the posteriors of his comic victims.

The rough-and-tumble of slapstick has been a part of low comedy and farce since ancient times, having been a prominent feature of Greek and Roman mime and pantomime, heavily padded clowns exchanged quips and beatings to the delight of the audience.

The Renaissance produced the athletic zanies of the commedia dell’arte and even rougher clowns, such as the hunchbacked, hook-nosed, wife-beating Pulcinella, who survived into the 20th century as the Punch of children’s puppet shows.

Slapstick reached another zenith during the late 19th century in English and American music-hall entertainment and vaudeville, and such English stars as George Formby and Gracie Fields carried its popularity well into the 20th century. Motion pictures provided even greater opportunities for visual gags, and comedians Charlie Chaplin, Harold Lloyd, Buster Keaton, and Mack Sennett’s Keystone Kops introduced such classic routines as the mad chase scene and pie throwing, often made doubly hilarious by speeding up the camera action. Their example was followed in sound films by Laurel and Hardy, the Marx Brothers, and the Three Stooges, whose stage careers predated their films and whose films were frequently revived beginning in the 1960s and were affectionately imitated by modern comedy directors. The best of the slapstick comedians may be said to have turned low humour into high art.

The Three Stooges, American comedy team noted for violent anarchic slapstick and comedy routines rooted in the burlesque tradition. Six men were members of the team throughout the years: Shemp Howard (original name Samuel Horwitz; b. March 17, 1895, New York, New York, U.S.—d. November 23, 1955, Los Angeles, California), Moe Howard (original name Moses Horwitz; b. June 19, 1897, New York City—d. May 4, 1975, Los Angeles), Larry Fine (original name Louis Feinberg; b. October 5, 1902, Philadelphia, Pennsylvania—d. January 24, 1975, Woodland Hills, California), Curly Howard (original name Jerome Horwitz; b. October 22, 1903, New York City—d. January 18, 1952, San Gabriel, California), Joe Besser (b. August 12, 1907, St. Louis, Missouri—d. March 1, 1988, North Hollywood, California), Joe DeRita (original name Joseph Wardell; b. July 12, 1909, Philadelphia—d. July 3, 1993, Woodland Hills).

The Stooges’ comic style was brash and brazen and was characterized by such cartoonishly violent acts as slapping, punching, eye-poking, and hair-pulling, all punctuated by exaggerated sound effects, and they often attacked one another with hammers, saws, and a variety of sharp and blunt objects.

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3 years ago
If you have no friends does that mean you have no friends ​
Stella [2.4K]

Answer:

yes i thinks so

Explanation:

if your have vitural friends that means that youve got some friends and if no that means you dont have any friends.

if ur lonely i could be your friend :)

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