Matter of England<span>, </span>romances of English heroes<span> and </span>romances derived from English legend<span> are terms that 20th century scholars have given to a loose corpus of </span>Medieval literature 1 and 2<span> that in general deals with the locations characters and themes concerning </span>England<span>, </span>English history <span>or </span>English cultural mores<span> and shows some continuity between the poetry and myths of the </span>pre-Norman<span> or </span>Anglo-Saxon<span> era of </span>English history<span> as well as themes motifs and plots deriving from </span>English folklore<span>.
i hope i could help :)</span>
Answer:
If your options are:
A. The poem uses variations of meter to affect rhyme.
B. The poem’s sentences flow across stanzas.
C. The poem’s stanzas have varying lengths.
D. The poem uses nontraditional syntax and rhyme scheme.
Then the answer is D.
Explanation:
The nontraditional syntax is best shown in the use of enjambment - interrupting the thought and syntactic structure in the middle and moving the rest to the next line. For example: "and older than the // flow of human blood (...)"
Here, the definite article "the" has been separated from the noun "flow", which means the phrase is visually broken in half.
- A isn't true because this poem conveys its meaning through rhythm and not rhyme. There are virtually no rhymes here and the syntax (sentence structure) is disrupted, invoking the sound of a river flowing in irregular but consistent waves.
- B isn't true because the sentences do flow across lines but not across stanzas.
- The stanzas do have varying lengths. But even though this element was pretty rare prior to the 20th century, it is not exclusive to modernist poetry. That's why C isn't true either.
Complex; it has both a dependent and independent clause.
Answer:
umm....what do u need help with?
Explanation:
there no pic..