What are we supposed to do here?
Answer:
Explanation:
Which excerpt from The Land, Part 4 best supports the claim that Paul is a talented horseback rider? “Figure that says more than anything else!
The main purpose of Oates for writing was to show a side of nature to the people which they consider to be beautiful as something which is pointless.
<u>Explanation:</u>
Joyce Carol Oates was a writer who was not in the favor of writing about the nature. He thought that writing about the nature was pointless and condemned the people who wrote about it and thought that nature inspired them.
Even though she herself felt a close connection with Earth and loved soaking up the essence of the nature but she thought that nature can definitely not be a source of wisdom and inspiration.
Answer:
yes
Explanation:
Willy definitely goes to his death amid a cloud of delusion. Even after Biff totally lays it out for his dad that all he wants to do is be a cowboy or whatever, Willy refuses to understand. The pitiful salesman kills himself, thinking that Biff will use the life insurance money to start a business.
Answer:in explantion
Explanation:
Okonkwo, the son of the effeminate and lazy Unoka, strives to make his way in a world that seems to value manliness. In so doing, he rejects everything for which he believes his father stood. Unoka was idle, poor, profligate, cowardly, gentle, and interested in music and conversation. Okonkwo consciously adopts opposite ideals and becomes productive, wealthy, thrifty, brave, violent, and adamantly opposed to music and anything else that he perceives to be “soft,” such as conversation and emotion. He is stoic to a fault.
Okonkwo achieves great social and financial success by embracing these ideals. He marries three women and fathers several children. Nevertheless, just as his father was at odds with the values of the community around him, so too does Okonkwo find himself unable to adapt to changing times as the white man comes to live among the Umuofians. As it becomes evident that compliance rather than violence constitutes the wisest principle for survival, Okonkwo realizes that he has become a relic, no longer able to function within his changing society.
Okonkwo is a tragic hero in the classical sense: although he is a superior character, his tragic flaw—the equation of manliness with rashness, anger, and violence—brings about his own destruction. Okonkwo is gruff, at times, and usually unable to express his feelings (the narrator frequently uses the word “inwardly” in reference to Okonkwo’s emotions). But his emotions are indeed quite complex, as his “manly” values conflict with his “unmanly” ones, such as fondness for Ikemefuna and Ezinma. The narrator privileges us with information that Okonkwo’s fellow clan members do not have—that Okonkwo surreptitiously follows Ekwefi into the forest in pursuit of Ezinma, for example—and thus allows us to see the tender, worried father beneath the seemingly indifferent exterior.
