Part A:
I believe your best answer A. "Big Year" birders compete for honor, love and record-setting.
1) honor and record-setting: As stated, 'most people who want to break such a record...'
2) love: "... most people who want to break such a record know the greatest rewards are not necessarily winning. Such rewards are in being able to commit a year of your life to <em>doing something you love.</em>" (emphasize added)
Part B:
F. Most birders <em>take pride </em>in their reputation and their abilities to see or hear and then identify a bird. (emphasizes added).
"Most birders take great pride in their reputations and their abilities to see or hear and then identify a bird. Usually, important sightings of the rare birds needed to get counts in the 700s are visited by hundreds of birders. It is pretty hard to cheat your way to a record-breaking year, but in general, few are interested in cheating."
H. Such rewards are in being able to commit a year of your life to doing something you love
"... the birds these contestants are counting are the number that they see in a particular year."
hope this helps
Answer:
I believe the answer is B
Explanation:
Answer:
Explanation:
Comment
Choose one that has a topic sentence and sentences that contain ideas that support the topic sentence. That's being focused.
The answer could only be A
Answer to Question 1: Hamlet becomes increasingly furious with both himself and whoever harmed those who he cared about. A visceral sentiment of vengeance consumes him as he realizes his mind won't be at peace if he simply stands around fearfully inside his aristocratic eggshell, and the sentiment won't snuff out until the ones responsible for his anger are punished.
Answer to Question 2: Hamlet believes he will become a beast if he gives himself into an avenging wrath, but it does not matter to him as long as his grieving thoughts are cleansed. Ignoring the incident would simply preserve his plight.
Answer to Question 3: The audience should feel compasion for the man in duel, and be afraid that a good man who's well aware of his own thoughts and conclusions - a man that has lost nearly everything - gave into the rage.
Director's notes on Proper Soliloquies.
An actor who aims to perform a soliloquy must look around their environment, focus on a significant element of the scene, and procced to describe with detail how the sight makes them feel - repeat the process with the rest of the scene -. The actor should change the tone of their voice between the lines depending on the current feeling of their character; shouting it all should not be neccesary and might be considered exaggerated.
