Answer:
Maps by maroon 5 OR feels like we only go backwards by tame impala
Explanation:
ya boy doesn't have a valentine so here's a couple of sad boy songs lol
Answer:
The first is an onion dome. The second is a barrel vault. The third is a rotunda dome. The fourth is a corbel arch.
AestheticsAnswer:
Make sure to use correct aesthetics, light blue with white, etc. Some French restaurants choose bold color schemes for their restaurant, like red for example. But you wouldn't put red in let's say a little girl's room, you would most likely choose a nice white and maybe some splashes of pick in some places. Aethetics are a big thing in interior design, and some people might think that you would want to put complementary colors like purple and yellow together, but you wouldn't put bright yellow and purple together in a room, it wouldn't look right, plus it would also strain the eyes. Lavender and white would be a good pair, some bathrooms are painted lavender with white boards.
Explanation:
good luck hope this helps:))
Answer: Even English-speakers with a modicum of German can hear the difference between the lilting, almost musical tones of Austrian German versus the less lilting, more crisp sound of standard German (Hochdeutsch). Bavarian, on the other hand, is very similar to Austrian.
Both nations historically spoke the same language (German), so in that sense sometimes an Austrian (in many cases, a Viennese) composer might be regarded as German. The German nation we know today and who fought France and England in both world wars was originally Prussia and several other small German-speaking states located in northern European east of France. Austria was another German speaking confederation of lands that later became the Austro-Hungarian Empire and basically controlled the southern half of central/eastern Europe, extending from Prague and Cracow in the North to the Adriatic Sea in the South. The Hapsburgs controlled it for the most part. The term 'German' when used to describe music likely refers to the language, regardless of whether it was a composer working in Berlin (Germany) or Vienna (Austria).
Explanation:
The Two Fridas (Las dos Fridas in Spanish) is an oil painting by Mexican artist Frida Kahlo. The painting was the first large-scale work done by Kahlo and is considered one of her most notable paintings.[1] It is a double self-portrait, depicting two versions of Kahlo seated together. One is wearing a white European-style Victorian dress while the other is wearing a traditional Tehuana dress.[1] The painting was created in 1939, the same year that Kahlo divorced Diego Rivera,[1] although they remarried a year later.
Some art historians have suggested that the two figures in the painting are a representation of Frida's dual heritage.[2] Her father, Guillermo Kahlo, was German; while her mother, Matilde Calderon, was Mestizo (a mix of Spanish and Native American).[3] Another interpretation is that the Tehuana Frida is the one who was adored by her husband Diego Rivera, while the European Frida is the one that was rejected by him.[4] In Frida's own recollection, the image is of a memory of a childhood imaginary friend.[5]
Both Fridas hold items in their lap; the Mexican Frida holds a small portrait of Diego Rivera, and the European Frida holds forceps. Blood spills onto the European Frida's white dress from a broken blood vessel that has been cut by the forceps. The blood vessel connects the two Fridas, winding its way from their hands through their hearts.[6] The work alludes to Kahlo's life of constant pain and surgical procedures and the Aztec tradition of human sacrifice.[6] Because this piece was completed by Kahlo shortly after her divorce, the European Frida is missing a piece of herself, her Diego.[4]
According to Kahlo's friend, Fernando Gamboa, the painting was inspired by two paintings that Kahlo saw earlier that year at the Louvre, Théodore Chassériau's The Two Sisters and the anonymous Gabrielle d'Estrées and One of Her Sisters.[7]
