Explanation:
Vincent van Gogh (Dutch, 1853-1890), The Poplars at Saint-Rémy, 1889. Oil on fabric, 24¼ x 17 15/16 in. The Cleveland Museum of Art; Bequest of Leonard C. Hanna, Jr., 1958.32
A recent trip to south Florida occasioned what has become a routine sojourn for me, a stopover at the Norton Museum of Art.
At the Norton, van Gogh’s The Poplars at Saint-Rémy is overwhelmed twice, first by its ornate antique frame, then by its installation on the third floor. Softly lit, it inhabits its own grey-painted gallery, a pearl in an oversized jewel box. It doesn’t help that the landscape’s colors are relatively sedate for a late van Gogh, relying on white to suggest terrain bleached by sunlight. The central two poplars are enclosed within a diamond-shaped design circumscribed by skyline above and crossing diagonals of rock-strewn land below. It is an inherently unstable composition, harmonized by color, the blue sky repeated in ground plane shadows and the blanched earth tones picked up in clouds. There is perhaps no way to write about van Gogh’s brushwork, idiosyncratic and instantly recognizable, without resorting to banalities; suffice to say that his sense of urgency demanded an entirely novel handling of paint. The Poplars at Saint-Rémy was made in a single session, a feat of compressed intensity.
Sharing a gallery with two other works by the artist, Degas’s Portrait of Mlle. Hortense Valpinçon resides more comfortably in its ground floor setting. The story of its production is no less remarkable than that of the van Gogh; leaving Paris during the barricades of 1871, Degas arrived at the Valpinçon country home without a canvas, and apprehended some mattress ticking upon which to paint his friend’s nine-year-old daughter. She leans into a sideboard and surveys us with unusual self-possession for one so young, holding in her right hand what has been variously described as a slice of fruit or a coin.
hope it helps
I'm sure it would be a. chaotic layouts and c. detailed pattern backgrounds
For the first question, talk about the music you selected and folk music are alike.
Second question, tell facts about the artist an music himself/herself. When was it released/recorded? How the the artist of this music died? What does the artist in the music is trying to say? Is he/she trying to send a message?
And finally, how can you relate to the song? It can be emotionally, physically, mentally... Etc. Is there a story in the music that the author is trying to say that you might can relate to that? And if so, what?
These are all questions about what you think. But there's some tips to help you out and understand
Answer: Toothbrush Moustache
Explanation:Charlie Chaplin was one of the most famous wearers of the toothbrush moustache. In a 1933 interview, Chaplin said he added the moustache to his costume because it had a comical appearance and was small enough so as not to hide his expression. Adolf Hitler was a fan of Chaplin, but there is no evidence that Hitler modeled his mustache after Chaplain.
Answer:
The patterns depict birds, fish, animals and plants, in addition to providing detailed images of Roman ships. However, the mosaic also noticeable features like, rhinoceroses and giraffes, which were not common in ancient art. Mythical beings are also portrayed. Nothing is written on the mosaic; inscriptions are common in Roman-era mosaics from public buildings, so it is assumed that the mosaic was most likely part of a private villa.
Explanation:
I hope you get a good grade on this :)
