The best choice is option one, although that is not fully correct. But because an author is present, the name comes first.
Answer:
Spending time with you
Being patient with you
Praising you
Physical affection
Doing things for when they dont feel like it
Explanation:
Hope this helps! :)
Answer:
In her essay, Jesmyn Ward describes racism in Mississippi telling real situations that she, her family and friends lived there. She is very critical of the systemic racism in the south of the country: "Sometimes the aggression is deeper, systemic. It is black children in my family enrolling in free preschool programs where their teachers barely tolerate them, ignore them, do a terrible job of leading them to learning."However, she also relates how the people she knows and love try to fight back the racism by staying alert when they see a situation where someone is in danger or is being discriminated:"I remember that Mississippi is not only its ugliness, its treachery, its willful ignorance (...). Here is one of my best friends from high school, a white woman with two toddlers, who stops her car when she sees black people pulled over by the police, pulling out her phone and filming in an attempt to belay disaster, to hold authority accountable."
Jesmyn Ward also uses figurative language throughout the essay to strengthen her claim, to give more meaning to the situations she is describing and to properly describe what she goes through when she is there, to emphasize and transmit the way she feels: "We stand at the edge of a gulf, looking out on a surging, endless expanse of time and violence, constant and immense, and like water, it wishes to swallow us. We resist.
Mrs. Dorling acted indifferently when the author said, "I am Mrs. S's daughter," since she didn't want to give her all of Mrs. S's valuable possessions.
Explanation:
This is a question taken from the story "The Address."
When the narrator came to her house, Mrs. Dorling pressed her palm against the door, as if she didn't want it to open anymore.
Her expression was completely devoid of recognition.
She kept silently staring at the woman.
Since the narrator knew about the lady's greediness, The narrator pretended to be unconcerned with reality.
