I believe the correct answers are B, C, and D.
Colors create a mood in an artwork. They can't possibly neutralize it. Even if we tried to create a sense of monotony or gloom, it would still be a kind of mood. Now, there are different kinds of moods: energetic (for which we are more likely to use brighter colors, of course), or relaxed (darker and cooler colors, such as blue, green, violet, grey).
Answer:
not enough on this question i need more to answer
Explanation:
The architecture in Much Ado About Nothing emphasizes all of the following characteristics EXCEPT "Proportion".
<u>Option:</u> A
<u>Explanation:</u>
Shakespeare's plays include a five-act framework often creatively alluded to as 'Freytag's Pyramid,' indicating that the climax normally comes in Act III. The standard narrative design of Shakespeare occurs in Much Ado About Nothing, describing its exposition, rising action (characters and their interests are introduced), climax (dramatic results), falling action (consequences of the climax) and Denouement (ties all the loose ends in a neat bow like in this case all got married). Here the phases showcase the proportion of each scenario of play, involving consequences of climax.
Well if you think about abstract thought in Inside Out, I would say it would be D.
