The Polish director Jerzy Grotowski, who performed his work in collaboration with the Polish Laboratory Theatre, had a significant impact on American director Richard Schechner.
<h3>Jerzy Grotowski: who was he?</h3>
The avant-garde acting training, staging, and performance techniques developed by Polish theatrical director and theorist Jerzy Marian Grotowski have had a significant influence on theater today. The key influences were Meyerhold, Stanislavsky, and Brecht. With the help of "paratheatre," Grotowski tested out performers in training programs and other unstaged productions. Grotowski felt the alleged "physiological resonators." He told the actors to use their necks, backs, and arms to project their voices. Then, to raise their voices, he told everyone to choose a text and play, sing, and shout it (Richards, 1995). Jerzy Grotowski, a Polish director, defines "poor theater" as the kind of performance that emphasizes the actor's body and their interaction with the audience while eschewing costumes, props, and music. Extracts from a performance of the play Evangile are interspersed throughout the interview.
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A) Form
<span>C) Velvety is a descriptive word that's most appropriate to use when describing texture</span>
Answer:
Caravaggio
Explanation:
Artemisia Gentileschi a great painter, who is the daughter of another great painter Orazio Gentileschi. This painting "Judith and the maidservant with the Head of Holofernes" is one of the impressive masterpiece of this great painter who is a strong woman herself. In the painting, the theatrical lighting of the scene echoes many respects to the work of the northern followers of Caravaggio. They specialized in such effect, while the intense realism of the scene in the masterpiece is close to Caravaggio himself.
