Assumptions are made about Oliver’s character in Mr. fang’s court is Like Brownlow, and dissimilar to the English legitimate framework, the Maylies have confidence in absolution and thoughtfulness.
<u>Explanation:</u>
Dickens utilizes these characters, who accept that Oliver is inherently acceptable however naturally introduced to an awful domain, to show that indecencies can be battled by improving the material states of the poor as opposite to by rebuffing them. Oliver winds up with what's left of his legacy, is legitimately received by Mr. Brownlow, and lives not far off from the Maylies. Everyone lives joyfully ever after.
It's not B: It provides a meaningful counterpoint to the previously expressed idea that the time the refugees spent in the U.S. camps was characterized by great joy and relief.
He has to much confidence in his abilities despite the fact that he hasn't fully escaped from the cyclops.
Writers of the Romantic period were concerned with C. describing the beauty of nature and how individuals interact with it.
It is wrong to assume that Romanticism has anything to do with love and romantic feelings only based on the name of this era. As a matter of fact, nature and individualism were far more important motifs than love.
