According to a different source, this question refers to the play <em>The Diary of Anne Frank</em>.
In scenes 4 and 5 of Act 1, the author is able to achieve a balance between a feeling of suspense in scene 4 with a feeling of sadness in scene 5.
In scene 4, suspense is introduced through the device of Anne's nightmares. We learn that Anne dreamt that her family was captured by the "green police." This nightmare introduces foreshadowing. The author builds suspense by suggesting that Anne's family will indeed be captured at some point.
This suspense of scene 4 is followed by the sadness of scene 5. This occurs when it is time to celebrate Hanukkah in the Annex. In the middle of the celebration, a noise is heard downstairs, which leads everyone to believe that they are about to be captured. This establishes a clear link with the suspense of the previous scene. The reader is able to link this situation with that of Anne's nightmare, thus balancing the two events in his mind. Eventually, the families realize that a robber came in and most likely heard them. They worry about the robber going to the police and informing them of the Annex. As now they are fearful about being captured, the rest of their Hanukkah is a sad affair.
The quote is incomplete. It should read: "For language is arbitrarily produced by the imagination, and has relation to thoughts alone; but all other materials, instruments and conditions of art have relations among each other which limit and interpose between conception and expression. The former is as a mirror which reflects, the later as a cloud which enfeebles the light of which both are mediums of communication. Hence the fame of sculptors, painters and musicians...has never equaled that of poets..."
A Defence of Poetry- Percy Shelley
In my view the correct answer should be B: “and has relation to thoughts alone”.
The reason being that as Shelley explains later, he considers that language has a direct, unique and exclusive relation with thoughts. Logically, thoughts are a direct product of the imagination, whether they are spontaneous or a result of external stimuli, and if according to his logic language is intimately and exclusively related to them it follows that language comes from the imagination. For Shelley as a poet, because language comes directly from imagination without the mediation or interference of any kind, poetry is the purest form of art.
Answer:
I think it's similes.
Explanation:
You can immediately cancel out allusions (reference to well-known person, place, or event outside the story) and hyperbole (an exaggeration, not to be entirely believed) leaving simile and metaphor. Because the word "like" shows up twice at the beginning and end- the roof came down steep and black <em>like a cowl</em>, their thick-leaved, far-reaching branches shadowed it <em>like </em>a pall- we can assume the answer is simile. Hope this helps!
I believe the answer is B
Perhaps direct a question to Ellen on whether she’s read any other book by the Author to justify why she hates the author
