Answer:
B. Princess Matilda, though a daughter of the King King of Scotland, and afterwards both Queen of England, niece to Edgar Atheling, and mother to the Empress of Germany, the daughter, the wife, and the mother of monarchs, was obliged, during her early residence for education in England, to assume the veil of a nun, as the only means of escaping the licentious pursuit of the Norman nobles.
D. It was a matter of public knowledge, they said, that after the conquest of King William, his Norman followers, elated by so great a victory, acknowledged no law but their own wicked pleasure, and not only despoiled the conquered Saxons of their lands and their goods, but invaded the honour of their wives and of their daughters with the most unbridled license.
Explanation:
The two sentences in this excerpt from Sir Walter Scott's /vanhoe that indicates that the novel is a work of historical fiction are options B and D.
Historical fiction is a genre in literature where a story is told based on past events and it aims to capture the intricate details of such era such as dressing, culture, mannerisms, societal norms, etc, for authenticity purposes.
Answer:
One through four should be good already
The rest of your answers should be
5. Didn't you wash off Bill's car
6. That is Tito's wallet
7. This one is nicer than Dan's
8. It's funny when the dog chases its tail
9. We shouldn't take my father's car to the beach
10. She's the best student in the college
Explanation:
Portia is Brutus' devoted wife. She doesn't get a whole lot of stage time but we think she's an interesting figure, especially when it comes to the play's concern with gender dynamics.
When Brutus refuses to confide in Portia, she takes issue with his secrecy: as a married couple, she says, they should have no secrets.
Dear my lord,
Make me acquainted with your cause of grief.
[...]
Within the bond of marriage, tell me, Brutus,
Is it excepted I should know no secrets
That appertain to you? Am I your self
But, as it were, in sort or limitation,
To keep with you at meals, comfort your bed,
And talk to you sometimes? Dwell I but in the
suburbs
Of your good pleasure? If it be no more,
Portia is Brutus' harlot, not his wife.(2.1.275-276; 302-310)
In other words, Portia is sick and tired of being excluded from her husband's world just because she's a woman. She also suggests that, when Brutus keeps things from her, he's treating her like a "harlot [prostitute], not his wife."
Portia's desire to be close to her husband seems reasonable enough. But Portia also has the annoying habit of talking about women (including herself) as though they're weaker than men.
I grant I am a woman; but withal
A woman well-reputed, Cato's daughter.
Think you I am no stronger than my sex,
Being so fathered and so husbanded?
Tell me your counsels; I will not disclose 'em.
I have made strong proof of my constancy,
Giving myself a voluntary wound
Here, in the thigh. Can I bear that with patience.
And not my husband's secrets? (2.1.317-325)
Here Portia says she knows she's just a girl, but since she's the daughter and wife of two really awesome men, that makes her better than the average woman. To prove her point, she stabs herself in the thigh without flinching and demands that her husband treat her with more respect. Yikes! Later she kills herself by swallowing "fire," or hot coals (4.3). This is interesting because it's usually men who are prone to violence in the play.
History Snack: When Portia says she knows she's just "a woman" but she also thinks she's "stronger" and more constant (i.e., steady and masculine) than most, she sounds a lot like Queen Elizabeth I (Shakespeare's monarch) who famously said "I know I have the body but of a weak and feeble woman; but I have the heart and stomach of a king" ("Speech to the Troops at Tilbury", 1588). Queen Elizabeth I, like Portia, buys into the idea that women are weaker than men but also presents herself as the exception to the rule.
hopefully this helps
Fallacies m<span>ay make a person less credible.
Fallacies m</span><span>ay make an argument illogical.
Fallacies are basically mistakes in an argument or mistaken beliefs that are based on unsound arguments. So those mistakes may make someone seem less credible and make the argument illogical. However, mistakes will often have an effect on the argument, are not essential to the argument and are not an indicator of sadness (pathos). Which is why only the two choices were selected.
</span>
To help you a little bit, even though you haven't put in the choices, the writer would need to take into account the age category of which the target audience is also they would often take into account religions aswell as genders :)
