The human vocal system would not receive much acclaim if instrument makers placed it in a lineup of traditional orchestral instruments. Arranged by size, for example, the voice box (larynx)—and the airway it sits in—would be grouped with the piccolo, among the smallest of mechanical music makers. And yet experienced singers compete well with all man-made instruments, one on one and even paired with full orchestras. Recent investigations of how our singing voice generates a remarkable range of sounds have revealed surprising complexity in the behavior of the vocal system’s elements and in the ways they interact.
