Answer:
J) Fats Waller
Explanation:
Hi, Fats Weller was an american pianist and composer ( also organist, violinist, singer, and entertainer).
His mentor was James P. Johnson, who offered him piano instruction free of charge when Fats Weller was a 15 years old kid.
“Ain’t Misbehavin’ was one of his most well known compositions, and "Handful of keys" is an album of his best live performances released in 1957.
Hello~
Q1. What period does Japanese music date back too?
A1. Nara (710 to 794) and Heian (794 to 1185) periods
Q2. Why is music important in Japan?
A2. Songs are mainly related to spiritual rituals and daily work.
Q3. The piano was considered a prestigious instrument in the mid-20th century in Japan? True or False?
A3. True
Q4. The order in which the instruments enter is always the same in named compositions such as Etenraku.
A4. True
Q5. Syakuhati masters take seriously humankind’s connection with nature, using the music as a means to enlightenment.
A5. Ture
Q6. Where could one learn Western music around the first two decades of the 20th century in Japan?
A6. Primary Schools
Q7. What brought much of the Chinese culture to Japan?
A7. Buddhism
Q8. The largest ensemble in all of Japanese traditional music is:
A8. Gagaku
Q9. Enka songs:
A9. are generally slow to medium speed
, can be traced largely to 1930s theme songs
, comprised the earliest repertory of karaoke, and express despairing sadness and self-sacrificing sentiment
Q10. Karaoke was born in Japan in the:
A10. 1970s
Hope this helps~ Good luck!
Ary~
Answer:
In high school my friends and I were messing around with a Ouija board one night. We had done it before and nothing remarkable had ever happened. We usually did it to try and scare each other or are girlfriends. We all thought it was a joke. That night there was no one else home except the 7 of us and we were all together around the board. One of the girls there wanted to try it. She had never done it before.
This time was different. The board misspelled some of the words the same way every time. It gave answers that seemed really historically accurate for our town (things we neither knew or cared about). Long story short, the “spirit” claimed it was a 10 year old boy who had died on the property in the 1800s and was buried there too in an unmarked grave (my friends house was on a farm in the edge of town). We were all a little freaked out because the board had never been so detailed and consistent. However, we were still skeptical and we were all assuming one of us was trying to scare the rest.
Finally, my friend asked if the spirit could do something to prove he was there with us. It went to Yes and then spelled out k-n-o-c-k. Then the planchette stopped moving. We just all stared at it silently and then there was a rap-rap-rap on the window right next to us. The lights were on outside and there was absolutely no one out there.
We never touched that f-ing board again.
Explanation:
I'm not sure what piece you're talking about, maybe you could include a picture of the piece
but in the treble clef the e's are on the bottom line, and top space
if it's flat it'll have a little squished 'b' next to it
a flat e is also a sharp (#) d
I think it's false, I mean there's always room for improvement, right? (This is just an educated guess, I might be wrong)
