In the Canterbury Tales, the best option to characterize the Pardon-seller is B. devious.
He is using other people and tricking them by saying that if they buy these pardons, all of their sins will be forgiven, He feels no remorse, and is definitely not naive or charitable - he knows what he's doing and he's doing it for quite a price.
The answer to this question is in Auden's words "for instance". His poem is not specifically about Icarus and his tragedy. It transcends this particular story, elevating its message to the highest, universal level. The poem is about suffering as an integral constituent of life. People are often completely unaware of other people's suffering. The Icarus motif is just an example, albeit a very drastic one. It serves as the poem's climax. The "delicate ship" is on its course and it keeps sailing, although the crew must have seen "a boy falling out of the sky". In other words, the strange death of a young boy changes nothing in the course of other people's lives. That is why, unlike Williams' poem, this one doesn't even have Icarus in its title, but the Museum. It deals with the relations of life vs. death and art vs. reality, rather than Icarus' tragic story.
An appropriate summary for the article "A Most Troublesome Element" is the last option - C. Arsenic is a naturally occurring, poisonous element that has threatened the health of humans since the Middle Ages.
It clearly states what the whole article is about.
Answer:Both men thought that hieroglyphs stood for things rather than sounds. Both men believed that hieroglyphs stood for sounds rather than things.
Explanation:
The class clown impersonated an innovative thinker.
