Its who, not whom.
They didnt care WHO they hurt as long as the outcome was beneficial for themselves.
C. all the other sentences have direct characterization in them. c doesn’t seem to have that. you would have to infer those traits.
Charlotte Perkins Gilman was a prominent social critic and feminist writer in the United States of the period from the 1890s through the 1930s. In The Yellow Wallpaper, originally published in 1899, she presents the internal dialogue of a woman diagnosed with hysteria and for whom total rest has been prescribed. In the short fiction, the patient is slowly driven mad by her cure, cut off from any intellectual pursuits whatsoever.
Though The Yellow Wallpaper is a work of fiction, it was based on Gilman's own experience after being diagnosed as an hysteric and prescribed a "rest cure" which prohibited her writing and labelled her feminism and social critique as symptoms of uterine illness. Gilman recovered from her "cure," and went on to write influential social theses, including Women and Economics (1898), and a feminist utopian novel, Herland (1915), which has become a classic of American women's literature.
Lord Capulet views marriage as a bargain, a contract, and a way to increase his family's standing in the community. Since Paris is a cousin of the Prince, Capulet believes that this marriage will bring honor and status to the Capulet family. He probably has the intention of using this to assert dominance over the Montagues. When describing Paris to Juliet he says he is "A gentleman of noble parentage / Of fair demesnes, youthful, and nobly train'd<span>" (Act 3, Scene 5). This shows that his main focus is Paris's status, rather than how he would actually be as a match for Juliet.
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Capulet does not even think of what Juliet might want, he says to Paris "I think she will be ruled / In all respects by me; nay, more, I doubt it not" (Act 3, Scene 4). This shows that he just assumes Juliet will agree to marry Paris because he said so. When she refuses, he reacts very badly. He says that if she does not agree to the wedding, she can "hang, beg, starve, die in
the streets, / <span>For, by my soul, I'll ne'er acknowledge thee" (Act 3, Scene 5). This shows the lengths he is willing to go to to punish Juliet if she does not agree, which reinforces his idea of marriage as a contractual agreement rather than something that is developed out of love. </span>
