Answer:
San Vitale, Ravenna
Explanation:
Both the structures had same purpose of representing a place of worship. Although the subject matter differ but the art technique was same. In Dome of the rock quite elaborative geometric designs, calligraphy and colors were used where as in San Vitale figurative compositions and scripts were designed on mosaic. Apart from that other elements such as columns, piers and ambulatory were same along with the central plan of the structure.
Answer:
a technique of neo-impressionist painting using tiny dots of various pure colors, which become blended in the viewer's eye. It was developed by Georges Seurat with the aim of producing a greater degree of luminosity and brilliance of color.
Explanation:
The vantage point can be indicated through many types of art principles. One of them is the difference in size and perspective. The other dancing pairs are angled, therefore, creating the viewer to be less attracted to that which is angled, and focus more upon the subject that is most present in the art, whereas the subject that is in the center. The vantage point is analyzed by the distance between objects, as well as, the location, of the subject in the background, middle gorund, and foreground.
<h2><u>Answer:</u></h2>
DAVID SMITH is an American sculptor(1906– 1965), he created metal figures that have affinities with the Abstract Expressionist movement in painting. He figured out how to weld in a vehicle plant in 1925 and later connected to his art the technical ability in dealing with metals he picked up from that experience.
Also, working in huge scale at the industrial facilities helped him picture the potential outcomes for the stupendous metal model. In the wake of trying different things with an assortment of sculptural styles and materials, Smith made his Cubi series in the mid-1960s.
These works, for instance, Cubi XIX, comprise of simple geometric structures solid shapes, barrels, and rectangular bars. Made of stainless steel areas heaped on each other and afterward welded together, these expansive scale models put forth a striking visual expression.
Smith included gestural components reminiscent of Abstract Expressionism by shining the metal with steel fleece, creating abstract looking examples that attract attention regarding the two-dimensional of the sculptural surface.
