Answer: Social workers are sensitive to cultural and ethnic diversity and strive to end discrimination, oppression, poverty, and other forms of social injustice.” Working toward greater social justice is one of the six core values of social work as outlined in the Code of Ethics.
Explanation: I'm glad to help ;)
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In art history, we called this type of arrangement ... A sphinx is a lion with a man's head. ... a conventional object used in art to identify a saint or mythical figure ... Created from marble, the sculpture would have looked different in ancient times. ... 3 as well as answer multiple choice and/or essay questions about these images.
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Between his first recording session in 1944 and his death in 1991, Miles Davis changed the course of music many times. The first of these came with the short-lived lineups he assembled for a New York residency and three studio sessions between January 1949 and March 1950. The nine-piece lineup was unusual – few jazz bands used a French horn – and the gigs attracted little attention. The sessions produced a handful of singles for Capitol Records, later collected as an album called Birth of the Cool – these ensured the band’s shadow would prove longer than all but a handful of its contemporaries.
The recordings were the result of hanging out after hours at arranger Gil Evans’s basement flat. The punchy, brightly coloured Venus de Milo was one of three tracks the group recorded that was composed by saxophonist Gerry Mulligan. The epithet “cool” isn’t entirely helpful, suggesting a prizing of style over substance: this music is never aloof or detached. Rather, this is what you got when you tuned down the frenzy of Charlie Parker and Dizzy Gillespie and allied it to the kind of sophisticated big-band arrangements Duke Ellington pioneered. Davis was a fan – and a part – of both traditions: not for the first time, what he crafted was a fusion of preceding forms that changed what would follow.
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b. Giotto's experience with living through the Black Death
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Plague, also known as the Black Death, wasn't in full epidemic in Italy during Giotto's time, but it was certainly present in the areas around Florence and Sienna where he was living and working.
Giotto's work was influenced by Black Death, and his paintings became more dramatic and realistic as his surroundings and experiences were grimmer and filled with death than usual.
<u>That is how Lamentation, a fresco depicting the death of Jesus Christ looked over by the angels and followers, is influenced by the plague. He used the real-life imagery of death and suffering over the illness that was present during his time, and used it to wake the emotional feeling that was caused by the death of Jesus Christ. </u>
