Someone who unknowingly is committing the fundamental attribution error explain stanley milgram's experiment subjects in that study must have been the kind of people who like to hurt others.
The fundamental attribution error refers to an character's tendency to attribute any other's movements to their person or persona, at the same time as attributing their behavior to external situational factors out of doors of their control.
The fundamental attribution blunders is the tendency people need to overemphasize private traits and ignore situational factors in judging others' behavior. due to the essential attribution error, we generally tend to agree with that others do bad things because they are horrific human beings.
The fundamental attribution errors is the tendency for humans to over-emphasize dispositional, or persona-primarily based causes for behaviors observed in others even as under-emphasizing situational causes.
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Sacco and Vanzetti, Julius and Ethel Rosenberg it happened one night, you can't take it with you, mr smith goes to Washington, its a wondful
The cross section talked about has been attached.
Answer:
B: 1017 mb
Explanation:
In explaining sea and land breezes, during the day, the sun usually heats up both the land and ocean surface. Now, Water is a very good absorber of the energy from the sun while the land also absorbs a lot of the sun’s energy. With that being said, water in the ocean gets hot at a much more slower rate than that of land and as a result, the air above the land will be warmer when compared to the air directly above the ocean.
This warm air over the land usually rises all through the day thereby causing low pressure at it's surface. Whereas, high surface pressure will form over the ocean due to it's the colder air.
Thus, the air pressure at the ocean surface is will be more than the given 1013 mb on the land surface and looking at the options, the only one that is more than 1013 mb is 1017 mb
In schoenberg’s pierrot lunaire, pierrot is a "<span>troubled clown".
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Pierrot lunaire marks an arrival to antithesis and anticipates the requested atonality of serialism. Nonetheless, the part of Schoenberg's Expressionist style which had the best effect on later arrangers was his origination of music as a free, twelve-tone chromatic field where any design of pitches could go about as a "standard."
