Answer:
Ceramic incense burners with extravagantly designed iconography like the butterfly god are some unmistakable components of fifth-century Teotihuacán workmanship from the Valley of Mexico.
Explanation:
AestheticsAnswer:
Make sure to use correct aesthetics, light blue with white, etc. Some French restaurants choose bold color schemes for their restaurant, like red for example. But you wouldn't put red in let's say a little girl's room, you would most likely choose a nice white and maybe some splashes of pick in some places. Aethetics are a big thing in interior design, and some people might think that you would want to put complementary colors like purple and yellow together, but you wouldn't put bright yellow and purple together in a room, it wouldn't look right, plus it would also strain the eyes. Lavender and white would be a good pair, some bathrooms are painted lavender with white boards.
Explanation:
good luck hope this helps:))
Answer:
Explanation:
The temporary art - such as public art that is exhibited only for a short amount of time or visual performances - can't be experienced by everyone and in a longer period. Therefore, the only way to preserve this art is to document it via text, video or a photograph.
<u>We must expect that the art won't stay the same and provoke the same feelings as the original, temporary art. </u><u>Seeing something in real-time and in real life, experiencing the movements, the size of it, the three-dimensionality, is something that is different from anything else. That is why the art is exhibited or performed in the first place, even if for a temporary time.</u>
What we can expect is to change the focus of art.
This does mean the art will become more two dimensional. However, we can provide that documenting it becomes another, a special form of art that will save the part of original quality, but that will absorb qualities of another form of art.
<u>If we photograph the temporary sculpture in the public space, we can provide that the way we photograph it (aerial photography, with many spectators, isolated, in a different light) expands some of its qualities. If we make the video of the performance, we can use special techniques that are used in filming to accent certain aspects of the performance.</u>
<u>Therefore, while the art will lose some of its three-dimensionality it will gain different qualities and will transform itself into a completely different medium of the art piece.</u>
Answer:
1.Why is exposure a subjective decision?
Exposure is the amount of light you let in the camera to take the picture. If you let in lots of light, the resulting picture will be bright and if, on the other way, you left only a little bit of light in the camera, the picture will be dark.
Although the camera could select the perfect exposure for a given photo, to enhance most/all details, the photographer should intervene to decide the amount of the light he wants in... to control the overall feeling/ambiance of the photo. It's his photo, a second photographer might come in and make different decisions regarding the exact same location and composition. Just like a painter will approach the empty canvas its own personal way.
2.How do our decisions about aperture and shutter speed influence the photography that we take?
Aperture and shutter speed are the tools used to control the amount of light in the camera, the exposure talked about in previous question.
The best way to discuss this is to take a classic example. Imagine you want to take a photo of a fountain or a small waterfall. There is movement there. Is it better to take a photo with a very fast shutter speed to capture individual drops flying in the air, freezing the time? Or to do a long exposure to show the flow of the water? Maybe somewhere between those two extremes? All these answers are good and depend on what the photographer wants to transmit as message. That's where the subjectivity comes into play. As you play with the shutter speed, you also need to adjust the aperture to control the overall exposure of the photo.
