Answer:
"We shouldn't worry too much, though, because it is precisely our mistakes that teach our children the most about life."
Explanation:
In this excerpt, the author is talking about how difficult it is for parents to make decisions and teach their children about what is right and what is wrong. Generally, parents try to be perfect and make the best decisions, the problem is that the parents of these children are human, and it is impossible for a human being to be perfect at all.
This has caused the concern of many parents. Because of this, the author wrote to state that parents need not worry so much, because mistakes will teach their children about life. The author wants people to understand that life is full of mistakes, it is normal. However, children must learn how to deal with the consequences of mistakes, which prepare them for adulthood and the problems they will face in the future.
Thoreau mostly uses imagery to illustrate time in the excerpt. The second sentence is saying that he is in the midst of time/living, and he can "detect how shallow it is," meaning that he is aware that life is short and that the end is inevitable. Thoreau also describes time as being fleeting, but ever-present.
I hope this helps!
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In the early 1930s, Lange, mired in an unhappy marriage, met Paul Taylor, a university professor and labor economist. Their attraction was immediate, and by 1935, both had left their respective spouses to be with each other.
Over the next five years, the couple traveled extensively together, documenting the rural hardship they encountered for the Farm Security Administration, established by the U.S. Agriculture Department. Taylor wrote reports, and Lange photographed the people they met. This body of work included Lange’s most well-known portrait, “Migrant Mother,” an iconic image from this period that gently and beautifully captured the hardship and pain of what so many Americans were experiencing. The work now hangs in the Library of Congress.
As Taylor would later note, Lange’s access to the inner lives of these struggling Americans was the result of patience and careful consideration of the people she photographed. “Her method of work,” Taylor later said, “was often to just saunter up to the people and look around, and then when she saw something that she wanted to photograph, to quietly take her camera, look at it, and if she saw that they objected, why, she would close it up and not take a photograph, or perhaps she would wait until… they were used to her.”
