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makvit [3.9K]
4 years ago
12

A style of theatre venue which looks like an opening in a wall through which the audience can see the action, where the opening

creates a picture frame and all audience members are facing the same direction is called: Group of answer choices
Proscenium
Thrust Arena
Black Box
Black Box
Arts
2 answers:
seraphim [82]4 years ago
6 0

A proscenium is the metaphorical vertical plane of space in a theatre, usually surrounded on the top and sides by a physical proscenium arch and on the bottom by the stage floor

Hope this helped! <3

Aleks [24]4 years ago
4 0
Proscenium is more than likely the obvious answer
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Johann Sebastian Bach was a German composer and musician of the Baroque period. He is known for instrumental compositions such as the Brandenburg Concertos and the Goldberg Variations, and for vocal music such as the St Matthew Passion and the Mass in B minor. Wikipedia
Born: 31 March 1685, Eisenach, Germany
Died: 28 July 1750, Leipzig, Germany
Education: St. Michael's School (1699–1701)
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He was a member of a remarkable family of musicians who were proud of their achievements, and about 1735 he drafted a genealogy, Ursprung der musicalisch-Bachischen Familie (“Origin of the Musical Bach Family”), in which he traced his ancestry back to his great-great-grandfather Veit Bach, a Lutheran baker (or miller) who late in the 16th century was driven from Hungary to Wechmar in Thuringia, a historic region of Germany, by religious persecution and died in 1619. There were Bachs in the area before then, and it may be that, when Veit moved to Wechmar, he was returning to his birthplace. He used to take his cittern to the mill and play it while the mill was grinding. Johann Sebastian remarked, “A pretty noise they must have made together! However, he learnt to keep time, and this apparently was the beginning of music in our family.”


Unfinished as it was, The Art of the Fugue was published in 1751. It attracted little attention and was reissued in 1752 with a laudatory preface by Friedrich Wilhelm Marpurg, a well-known Berlin musician who later became director of the royal lottery. In spite of Marpurg and of some appreciative remarks by Johann Mattheson, the influential Hamburg critic and composer, only about 30 copies had been sold by 1756, when Emanuel Bach offered the plates for sale. As far as is known, they were sold for scrap.

Emanuel Bach and the organist-composer Johann Friedrich Agricola (a pupil of Sebastian’s) wrote an obituary; Mizler added a few closing words and published the result in the journal of his society (1754). There is an English translation of it in The Bach Reader. Though incomplete and inaccurate, the obituary is of very great importance as a firsthand source of information.

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