Depictions of modern life, <span>depictions of moments in time,</span>
Answer:
Compared to its cousins, the vibraphone is a little bit more complex: not only do you play it with 4 mallets (just like the marimba btw) but it also has pedals, a bit like a piano. Finally, the biggest difference between the vibraphone and other mallet percussion stands in its very name: the vibrato effect.Compared to its cousins, the vibraphone is a little bit more complex: not only do you play it with 4 mallets (just like the marimba btw) but it also has pedals, a bit like a piano. Finally, the biggest difference between the vibraphone and other mallet percussion stands in its very name: the vibrato effect.Compared to its cousins, the vibraphone is a little bit more complex: not only do you play it with 4 mallets (just like the marimba btw) but it also has pedals, a bit like a piano. Finally, the biggest difference between the vibraphone and other mallet percussion stands in its very name: the vibrato effect.
Explanation:
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B. FALSE.</h2><h2>
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Because Survival floating can be done by anyone who's bad at swimming, Or who's good at swimming!
So, The answer will be "False."
Hope It Helped!
<u>And Tell me if The answer is wrong. . .</u>
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<u>Good Luck With Your Assignment!</u></h2><h2>
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Answer:
There would be a deck, mast, cabin, cargo area, cannons, and 10 people
Explanation:
Deck: 10 yards by 25 yards
Mast: (sails) 50 meters tall 45 meters wide **3 of them**
Cabin: (Under deck) 10 feet deep, 10 yards wide, 10 yards long
Cargo area: (Under deck) 10 feet deep, yards wide, 5 yards long
Cannons: (On deck): 20 cannons all next to each other, with the area of 5ft pi.
:) we shoot other ships with the cannons ;)
Does our culture consider cooks and carpenters to be as high in their status as lawyers or doctors (remember I'm not asking what we think, but what value our culture generally gives to those professions)? Our culture creates a distinction that we sometimes refer to as "blue collar" work versus "white collar" work.
In the Middle Ages and even for much of the Renaissance, the artist was seen as someone who worked with his hands—they were considered skilled laborers, craftsmen, or artisans. This was something that Renaissance artists fought fiercely against. They wanted, understandably, to be considered as thinkers and innovators. And during the Renaissance the status of the artist does change dramatically, but it would take centuries for successful artists to gain the extremely high status we grant to "art stars" today (for example, Pablo Picasso, Andy Warhol, Jeff Koons, or Damien Hirst).