Blocking off the balcony, altering the decor of the space to add light and colour, or closing off the rear of the orchestra are all ways that scenic designers can alter theatre space and design.
<h3>Description About
architecture of a
theatre space</h3>
The architecture of a theatre space can be changed by designers to produce a new arrangement or configuration.
The architecture of a theatrical space can occasionally be changed by scenic designers to produce a new arrangement or configuration.
Balconies may be sealed off or the orchestra's back section may be closed if the auditorium is too big for a particular play.
Additionally, the decor can be changed. For example, in a room that is typically formal and muted, bright colours, banners, and strong lighting could create a celebratory environment.
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Answer:
i am on the same test or questions these are hard srry for getting points this way
Explanation:
The right correct answer is D none of the above
Axis of action in Continuity editing the imaginary line that passes to and fro through the principle actors defining the spatial family members of the scene. The digital camera isn't imagined to go the axis at a reduce and reverse the spatial family members. guarantees consistent display screen space and constant screen path.
The imaginary line allows viewers to orient themselves with the placement and course of motion in a scene. If a shot following an in advance shot in a sequence is located on the alternative side of the 180-degree line, then it's miles referred to as a reverse cut.
The Axis is an imaginary line that extends in the direction of the difficulty. while the camera is on one side of the axis the problem's direction is a positive way. however while the camera crosses the axis the subject's direction, relative to the digital camera changes
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