“Concrete Mixers” by Patricia Hubbell compares concrete mixers to elephants to show humans have created relationships with their machines in much the same way as with animals under their care. The poet shows how the drivers of the concrete mixers wash and tend to their mixers just as the mahout take care of their elephants. This comparison is set up at the beginning of the poem with this simile: “Like elephant tenders they hose them down.” To continue this relationship, the poet describes the concrete drivers as “mahouts”, the name for people who take care of elephants in other countries. The poem also describes how the concrete mixers “stand in muck”, meaning that these machines are in muddy environments similar to the environments of elephants who stand in mud or muck.In the end the poet describes how the concrete mixers are like elephants working to do humans’ work by lifting, moving and helping to create new structures in a city. The poet uses several similes to describe concrete mixers as if they were alive: “Concrete mixers/Move like elephants/Bellow like elephants/Spray like elephants” She further strengthens the effect by writing that they “…are urban elephants/Their trunks are raising a city.” This metaphor means that just as elephants work for humans in
Poetry Collection 3 other countries, the machines in the poem are doing the labor of building a city. The poet uses the word “raising” to show that the city is being built up, becoming taller and taller with skyscrapers. Through the effective use of figurative language the poet shows how humans have begun to treat their machines as if they were living, breathing animal
https://www.coursehero.com/file/p6fqalm/Concrete-mixers-Move-like-elephants-Bellow-like-elephants-Spray-like-elephants/
Answer:
C. through thoughts and reflections from the author
Explanation:
A narrative is a passage of writing that is written in first person, or the author's point of view. Because the author is narrating the story, the writer can include his/her own thoughts, reflections, feelings, senses, etc into the story so the reader can better picture what it's like.
Here, this is an excerpt from The Narrative of an American Slave, by Frederick Douglass, and he gives his thoughts of his pitiful experiences: "I must have perished with cold, but that, the coldest nights, I used to steal a bag which was used for carrying corn to the mill...My feet have been so cracked with the frost, that the pen with which I am writing might be laid in the gashes."
Thus, the answer is C.
Hope this helps!
I think the correct answer from the choices listed above is the first option. Astrology is not considered science because it does not make testable predictions. Astrology<span> consists of a number of </span>belief<span> systems that hold that there is a relationship between astronomical phenomena and </span>events<span> or descriptions of personality in the human world. </span>
Impressionism can be considered the first distinctly modern movement in painting. Developing in Paris in the 1860s, its influence spread throughout Europe and eventually the United States. Its originators were artists who rejected the official, government-sanctioned exhibitions, or salons, and were consequently shunned by powerful academic art institutions. In turning away from the fine finish and detail to which most artists of their day aspired, the Impressionists aimed to capture the momentary, sensory effect of a scene - the impression objects made on the eye in a fleeting instant. To achieve this effect, many Impressionist artists moved from the studio to the streets and countryside, painting en plein air.
Key Ideas:
The Impressionists loosened their brushwork and lightened their palettes to include pure, intense colors. They abandoned traditional linear perspective and avoided the clarity of form that had previously served to distinguish the more important elements of a picture from the lesser ones. For this reason, many critics faulted Impressionist paintings for their unfinished appearance and seemingly amateurish quality.
Picking up on the ideas of Gustave Courbet, the Impressionists aimed to be painters of the real - they aimed to extend the possible subjects for paintings. Getting away from depictions of idealized forms and perfect symmetry, but rather concentrating on the world as they saw it, imperfect in a myriad of ways.
B is the answer to your question
