Bedrich Smetana's "The Moldau", which was originally called "Vltava" mostly has a ternary (ABA) form. T<span>he first theme ("A") is played twice, followed by the second theme, or development ("B") of the piece, we are then brought back to "A", which is played partly through, before being abruptly halted to switch to a developmental minor section.</span>
Bedrich Smetana's "The Moldau", which was initially called "Vltava" for the most part has a ternary (ABA) frame. The primary topic ("An") is played twice, trailed constantly topic, or advancement ("B") of the piece, we are then brought back to "An", or, in other words through, before being suddenly stopped to change to a formative minor segment.
