I'm pretty sure the answer is A. Bird
H! The answer is line 2. The example "smithy stands" shows alliteration because it has two words that start with the same letter.
Answer: A) Instead of horses pulling carriages full of people, people pull carriages full of horses.
Explanation: an irony is a state of affairs or an event that seems contrary to what one expects and it often has an amusing result. A situational irony is when what happens is the contrary to what the characters or the audience are expecting to happen. From the given options, the sentence that describes an example of situational irony in Gulliver's Travels, is the corresponding to option A, because it is the contrary of what one would expect.
<span>I think about my past a lot, they say your past doesn’t define your future but honestly, it does. I think about that last moment I saw you, that last moment I heard your voice. I think about it all the time. He would hide me from your boyfriends. I think of the times when he would come back to our room with bruises and bleeding. I think of that first moment I thought it was okay to do things I shouldn’t just because I was taught wrong. I remember the crack in your voice when you said you’ll come back for me. I remember all the late nights filled with screaming and fighting. I remember the moment you gave up on me, the moment you decided sex and drugs were more important than your babies. I remember the look in your eye’s the last time I saw you, all I could see was that it didn’t faze you. I try to look at life in a positive way but honestly, all I see is the negative. Do you remember all the tears? all the screams? all the terror? I do. I guess I should say thank you. thank you for embedding my brain with these things I will never forget no matter how much I try. But thank you for teaching me that this world isn’t butterflies and rainbows no matter how many times I close my eyes to try to imagine... this perfect world that will never exist. this just means the future will be hard, but nothing I can’t just push past because you filled me with enough pain... what’s a little more? Is it not like I have feeling’s huh? because I can’t feel pain? Right? I can’t possibly remember anything from that far long ago. Even though I say I can’t remember. Maybe I can... something brings it back, simple word or smell sends a river of memory rushing over me. That memory I have you to thank for. I don’t blame you, it was your life your decisions maybe you had a reason that I don’t know of or don’t understand. When I close my eyes and try to imagine you, I can’t. All I get is dark deep blackness. What happens now? How do I get past this no matter how tightly my eyes are shut or that my nails are digging in my skin because my fist is so tight I can’t get past the pain, all that pass pain. I have a 6-foot thick wall put up around me, I’m boxed in. the only thing I have to see the outside and let people in is a 6-foot hole through one of the 6 sides. but that hole is tiny I’m trying so hard to let people in. I can’t break down this wall, I put it up to shut people like you out but I shut everyone out. I know how to break that wall but am I ready. Am I ready to forgive and forget? Am I ready to let go of my past? I don’t know, it kill’s me how you destroyed MY life you destroyed HIS life and I have to forgive you he already has. but I’m not him I’m not waiting for you to come back with an open arm that’s him the one who was hurt the most the one who can’t hide his pain like I can. If he can and I can’t there has to be something I’m missing. I’m messing with you, I never had that I don’t remember the love from you only the pain. but he does he is the strong one, not me, he is the brave one, not me. he is the broken one who is just now learning how to make peace with the past but me I still need time. I can’t let go quite yet.</span>
Answer:
A: Mocking to earnest: while the author ridicules the oracular woman, she assumes a serious tone when describing the woman of culture.
Explanation: In the first two paragraphs, the author’s contemptuous attitude toward the “oracular literary woman” is apparent. The author describes the behavior of such women as “the most mischievous form of feminine silliness,” and lines such as “she spoils the taste of one’s muffin by questions of metaphysics” clearly portray the oracular woman as an object of ridicule. On the other hand, when describing the “woman of true culture,” the author adopts a more earnest tone as she paints the virtues of this figure—her modesty, consideration for others, and genuine literary talent—in idealized terms. A writer’s shifts in tone from one part of a text to another may suggest the writer’s qualification or refinement of their perspective on a subject. In this passage, the author’s sincere, idealized portrait of the woman of true culture plays an important role in qualifying the argument of the passage: although the author agrees with the men in line 41 that the “literary form” of feminine silliness deserves ridicule, she rejects generalizations about women’s intellectual abilities that the oracular woman unwittingly reinforces. Embodying the author’s vision of what women could attain if they were given a “more solid education,” the figure of the cultured woman serves to temper the derisive (mocking) portrayal of women intellectuals in the first part of the passage.
