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OverLord2011 [107]
3 years ago
13

PLEASE HELP ASAP!!

Arts
1 answer:
Leno4ka [110]3 years ago
8 0
If it is talking about the creatures between the intertwining lines it would be animal, but if it’s talking about the structural forms it was derived from it would be none of the above
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Styles and genres are the primary, but not exclusive, agents of hybridity. The resulting combinations emerge in a variety of ways and with varying degrees of the prominence of the identities involved.

<h3>What exactly is music hybridity?</h3>

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Thus, Styles and genres are the primary, but not exclusive, agents of hybridity.

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SCORPION-xisa [38]

1. A |V_| cadence is called<span>
<span>a. Authentic b. Half c. Plagal d. Deceptive</span></span>

<span>The IV-I cadence is called a PLAGAL cadence. Although it is an effective cadence, it isn’t as strong or complete as the perfect V-I, thus is may be found in the middle of the composition, leaving the stronger cadence for the grand finale. </span>

<span>
</span>

<span>2. The smallest unit of musical form that makes sense on its own is a
a. Period b. Phrase c. Cadence d. Measure </span>

<span>The correct answer is B. Phrase.
A Phrase is built from figures, motifs, and cells, and combining to form melodies, periods and larger sections.
This title has been given by John D. White, but the idea has existed for centuries, although the musical metric system used to be very different way back in the days, in ancient times. </span>

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</span>

<span>3. Two ____ put together as antecedent and consequent are known as a _____.
a. Periods; Phrase b. Cadence; Phrase c. Phrases; Cadence d. Phrases; Period\</span>

<span>The correct answer is D. Phrases; Period.
In fact, a Period if created by the combination of two Phrases, each of which beginning with the same basic motif – as defined by the Oxford Companion to Music. The origins of the concept of musical Periods can be found back in the 16th Century.</span>

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<span>4. Which of these cadence types is most likely to occur at the end of a consequent phrase?
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<span> The Authentic Cadence is the best one to end a consequent phrase. V (dominant) is also the most common chord progression for a strong ending; it builds up tension, which is then relieved when you move on to the I (tonic) chord. (This progression is called V-I).</span>

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