Answer:
Fortunato is lured into the catacombs by the prospect of sampling, or tasting a rare dry sherry (wine). Montresor tells his friend and sworn enemy, Fortunato, that he has purchased a rare cask of Amontillado.
Explanation:
Answer:
Neither
Explanation:
The following is neither a simile nor a metaphor
Answer:
The term "jungle girl" refers to the girl's personality as somebody who is active.
This term is a<em> metaphor</em> since it describes the<em> African-American girl (Lucille Clifton) </em>in the poem as a<u> "jungle girl</u>" although she is not from the jungle. This simply refers to her "active nature."
Explanation:
Lucille Clifton was an <em>American poet</em> who grew up in an<u><em> African-American life</em></u>. Most of her works, such as the poem "This morning," focuses on her life and family experience. The essence of the poem focuses on <em>how Lucille finally found herself even in the midst of a different society.</em> It also shows her <u>appreciation for her own identity.</u>
A poem about cat with 3 stanze and rhyming in one line word in each stanze 3 line is described below.
Explanation:
1. A three line stanza is called a tercet. A four line stanza is a quatrain, and a five line stanza is a quintet.
2. 3 line stanzas are called Tercets. A stanza in poetry is a group of lines usually separated by a blank line. Stanzas of 3 lines are called Tercets from the Latin word tertius meaning three.
3. A poem or stanza with one line is called a monostich, one with two lines is a couplet; with three, tercet or triplet; four, quatrain. six, hexastich; seven, heptastich; eight, octave.
4. A monostich has been described as 'a startling fragment that has its own integrity'[2] and 'if a monostich has an argument, it is necessarily more subtle.'[3]
A monostich could be also titled; due to the brevity of the form, the title is invariably as important a part of the poem as the verse itself:[4]
5. Some one line poems have 'the characteristics of not exceeding one line of a normal page, to be read as one unbroken line without forced pauses or the poetics of caesura', and others having ' a rhythm, (as with one-line haiku), dividing easily into three phrases'
