Answer:
Explanation:It's too short. Write at least 20 characters to explain it well.
Answer:
C. Apostrophe
Explanation:
Apostrophe:
Apostrophe is a figure of speech by using which a writer or speaker addresses an absent/dead person as if he/she were present, or an inanimate object or idea as if it were a living thing and listening to him/her (speaker).
Examples:
"O wild West Wind"
"O, my cell phone, you were so dear to me."
Hyperbole: It is an exaggerated statement not to be taken literally.
Examples:
"The sun came just meters away from the earth."
"She would conquer the entire universe with her smile"
Simile:
It is a figure of speech in which the writer makes comparison between two things which may have some relation but are different. Simile always uses comparison words such as, like, as, similar to etc.
Examples:
"He is as brave as a lion"
"Life is like a dream"
Litotes:
It is an understatement in which a positive statement is made by negating its opposite. Or use of double negatives to make a positive statement.
Examples:
"It was not one of my best days" to mean It was one of my bad days."
"The books was not bad" to mean the book was good."
=^⊙○⊙^=
The setting of a story can have a tremendous impact on the plot of any govern story. Let's say that the story is set in a dark and spooky forest, the story will then have a dark theme/tone, compared to say, a story set in a magical castle with rainbows and what not. The setting the story is set in can help depend on whether or not the story will be unfortunate, scary, or happy. You won't expect good things to happen in a dark spooky forest. Most likely, bad or unfortunate things like someone getting lost will happen. Sooooo yeah, hope that answers your question. ʕノ•ᴥ•ʔノ~♡
Answer:
CROCODILE BURNING
BOOKSHELF
CROCODILE BURNING
BY MICHAEL WILLIAMS
RELEASE DATE: AUG. 1, 1992
Seraki's Soweto life takes a new direction when, almost by accident, he lands a part in a musical drama. The angry play is called iSezela, after a powerful, menacing crocodile in African myth, symbol of many kinds of oppression. The crocodile haunts Seraki: His brother Phakane is a political prisoner; the Naughty Boys, a gang of urban terrorists, is extorting money from his family; and the play, initially a liberating experience, becomes a nightmarish trap after its wild success in South Africa leads to a Broadway run and the director, Mosake, changes from inspirational leader to violent, exploitative tyrant. The author's theatrical experience stands him in good stead; readers will get a good sense of the work involved in a stage production and the heady feeling when it all comes together. While his lurid, harshly ironic portrait of N.Y.C. is unconvincing, Williams's insider's view of South Africa will open some eyes. The book ends on several hopeful notes: Seraki and the rest of the cast confront Masake, negotiate fairer contracts, and celebrate Nelson Mandela's release and also Phakane's—the crocodile's grip is slipping. ``So many things are happening in this country, Seraki, so many good things!
