I think that given the fact that the fortune telling of the witches has come to pass it would be a good thing for Macbeth to listen to the witches.
<h3>The reason why Macbeth has to listen to the witches</h3>
After Ross had brought in the news that Macbeth had been made the Thane of Cawdor, Macbeth remembered the saying of witches then he realized that they were telling the truth.
He was given this title because the person that held the post had been executed for treasonable reasons.
Read more on Macbeth here: brainly.com/question/25668662
Norrator point of view about the life of an adult her culture in the "excerpt from minuk :ashes in the path way
Explanation:
Hill's (The Year of Miss Agnes ) finely detailed novel set in a Yup'ik Eskimo village in the 1890s feels mesmerizingly authentic.
Minuk, the narrator, is 12 the spring that the missionary family arrives, and like the other children she is fascinated by the sight of her first kass'aq (white) woman and child. She can't imagine what the "sort of pink butterfly" hanging from the clothesline is (a corset, which astonishes her still further), and when Mrs. Hoff invites her inside for a cup of tea, she sits on a chair for the first time (and tips hers over) and slurps loudly, "to be polite." These initial misunderstandings may be comic, but the encounters between the Hoffs and the Yup'ik have grave consequences. Mr. and Mrs. Hoff condemn the villagers' rituals and practices. Yet, as seen through Minuk's eyes, the customs make sense, and Hill demonstrates that the Yup'ik belief systems are at least as coherent as Hoffs' version of Christianity ("If your god is love," Minuk asks Mr. Hoff, "why does he make people burn in hell?"). The author penetrates Yup'ik culture to such an extent that readers are likely to find the Hoffs more foreign than Minuk and her family. At the same time, the author doesn't glamorize the villagers, in particular exposing the severe conditions facing women. Not only the heroine but the vanished society here feel alive in their complexities. Ages 9-12. (Oct.)
Well, it could be either a noun or an adjective. You'll have to give me the definition or the context for me to be specific. I usually only hear it as a noun though.
Emily Dickinson is world renown among poets and those who love literature for her emphasis on both thought and feeling.
She is considered a master of form and syntax and is often called 'a poet of paradox'.
Generally speaking her poems tend to be short and they usually use only one voice (which is not necessarily that of the poet). She published well over 1800 poems of which only a handful of them were titled as is the case of the poem listed here.
Notice her use of form and paradox in referring to hope as a thing with feathers, something that never asks for anything in return.
<span>A) Extended metaphor
Here, he keeps a metaphor about the dead and forgetting going throughout the passage.</span>
