It would be My brother always gets into trouble. For example, yesterday he ran through the house and knocked over the lamp. So the answer should be For Example.
Answer: Rosa Parks asked a few people if they were willing to boycott the buses.
Explanation:
A first-person narrative refers to a mode of storytelling whereby the storyteller recounts events fmthatnhas occured from their own point of view and thus use frst person like "I, our, or us".
In this case, the piece of information that could probably only come from Rosa Parks’s first-person narration of the story is that Rosa Parks asked a few people if they were willing to boycott the buses. This can be depicted where it was written that "I also remember asking a few people if they would be willing to stay off the buses... "
Answer:
Kino and Juana collect their belongings and flee with Coyotito through the undergrowth, making no effort to conceal their tracks. As they climb the first rises, Kino realizes that the distance he is putting between his family and the trackers offers only a temporary fix to their problem.
Explanation:
helo
Well all of them are possible reasons although the most common reason for a diary is C.) Diaries allow writers to tell stories about what they have done
Answer:
In the greek mythology, Daedalus, the Icarus father appear in the myth, however, Daedalus does not appear in the Bruggel's painting,
Explanation:
In Greek mythology, Icarus was said to have succeeded in flying, with wings made by his father Daedalus, using feathers made with bees wax. However, Icarus did not heed to his father's warnings, instead he chose to fly too close to the sun, melting the wax, and subsequently fell into the sea and drowned.
From the paintings, Icarus's legs can be seen in the water just below the ship. Daedalus does not appear in this version of the painting.
Also, from the account of Ovid of this same greek mythology, the ploughman, shepherd and angler are described to be astonished and think to see gods approaching them through the aether, which is not entirely the impression given in the painting.