3. LOS ANGELES, June 5 - Pound for pound, the New Jersey Nets are no competition for the Los Angeles Lakers in the NBA Finals. I
n many ways, it's like matching Lennox Lewis, the heavyweight boxer, against Jerry Lewis, the comic actor. However, for the sake of basketball, it's a relief that the Nets themselves aren't buying any of the negative press. I still don't know if the Nets have enough to upset the Lakers and win this series. But after Wednesday, I do believe they can make it a series. I get the overwhelming sense the Nets feel the same away. After a dreadful first quarter Wednesday night inside Staples Center, the Nets calmed themselves and came after L.A. They were not in awe. They did not bow down. Instead, they sharpened their focus, capitalized on the Lakers' erratic play and made it a game. "Now that our guys got the first-quarter jitters out of the way," Nets coach Byron Scott said, "maybe this will be a better series than a lot of people thought it would be." What is the controlling idea of this article?
The New Jersey Nets can give the Los Angeles Lakers some competition.
Explanation:
The writer's main idea is evident in this sentence: However, for the sake of basketball, it's a relief that the Nets themselves aren't buying any of the negative press. The author believes the Nets can give the Lakers some competition and that they proved as much in the first game of the series.
Songs usually build energy as they proceed. Whether by using instrumentation, melodic range, dynamics (i.e., loudness), tempo, and rhythmic intensity, the end of your song should usually come across as more energetic than the beginning.
A song’s chord progressions should proceed from fragile to strong. A fragile progression is one that is perhaps tonally ambiguous or meandering, while a strong progression is one that clearly points to a tonic note and chord. Verse and bridge progressions can be fragile, but chorus progressions should be short and strong.
A song should show a steady harmonic rhythm. The term harmonic rhythm refers to how long you play a chord before moving on to the next one. Most songs will keep that pattern fairly steady, changing chords every 4 or 8 beats.
A song should show a strong relationship between melodic shape, lyrics and chords. When a melody rises to a high point, it’s usually for a good reason: you want to highlight something significant in the lyric. Good songs show a clear and important relationship between all components, to get the message across.
A song’s chorus will feature the tonic note and chord more often than the verse. The tonic note is the one that represents the key your song is in. It acts as a strong sense of “home”, and so chorus melodies are usually written to place special significance on that note and its accompanying chord. Verses can wander a bit more, avoiding the tonic note. But choruses need to feature that note as an important goal.
Chorus melodies usually sit higher in pitch than verse melodies. That’s because the human voice generates more energy in its upper range, and we obviously want more energy to occur in a chorus than in a verse.
Answer: Fires affect animals mainly through effects on their habitat. Fires often cause short-term increases in wildlife foods that contribute to increases in populations of some animals.
