Answer:
Ramayana: the culture behind the poem
The Ramayana is an ancient Indian epic poem written in sanskrit by the hindu Valmiki. This was considered to be highly important within the Indian community, especially among the representation of the god Vishnu on Rama's character in the story. The author narrates the struggle of the prince Rama -considered the 7th avatar of god Vishnu- which tries to rescue his wife, the goddess Sita from the demon king Ravana. This essay aims to analyze and share the context behind the story of the Ramayana to understand better the culture behind it.
The Ramayana belongs to the genre of itihāsa, which is defined as a narrative of past events that includes teachings on the goals of human life. So, the context of the poem develops in the exploration of the ideal relationships among humans and the constant battle between good and evil. In addition, this is an important literary works on the ancient India and it have had a huge impact of culture and art because of the meaning the story may have regarding the Hinduism which is considered to be one of the most prominent religious in the world.
The symbolic significance of Ramayaana has been interpreted in different ways, but it mainly represents the vulnerabilities to which human beings are vulnerable due to their weaknesses and impurities, as well as the conflict between good and evil forces that might arise from them, so it may have a theological symbolism due to the "religious ideals" which also teaches valuable lessons related to family morals and human life.
However, there is a huge difference between the interpretation of the Ramayana text and the illustration. According to the text, this epic poem follows theological and social symbolisms due to the teachings of morals and human life but with religious ideals. On the other hand, the illustration was followed with the Indian method, it is to capture several episodes of the story in one so that the characters appear more than once in the same painting.
In conclusion, the Ramayana is an epic poem considered as sacred among the Indian culture and if you read it, you will learn some principles and ideals of the Hinduism and people who are behind it.
Explanation:
<span>C) By bringing to mind more common associations with Shakespeare, the host is emphasizing the remarkableness of Bates’ story.
The host points out common situations where people would have interacted with Shakespeare--in school or in fancy theatres. This helps make what Bates has done stand out as even more remarkable, because no one would ever think of prisons when they first think of Shakespeare. </span>
B. eloquently
After writing for many hours, the journalist felt he had written an important piece that would improve the lives of others. He had written strategically and _eloquently_. He smiled with satisfaction; he may get paid for being a journalist, but he had discovered that being an activist was his true vocation.
It seems that the BJP government’s decision to illegalise the sale of cattle for slaughter at animal markets has its roots in a PIL that quotes the five-yearly Gadhimai festival in Nepal, where thousands of buffaloes are taken from India to be sacrificed to ‘appease’ Gadhimai, the goddess of power.
The contradictions that emerge from cattle – here encompassing all bovines – slaughter rules in Nepal perplex many: despite being predominantly Hindu, animal sacrifice continues to be practised. Cow slaughter is explicitly prohibited even in Nepal’s new constitution since it is the national animal, yet the ritual sacrifice of buffaloes and the consumption of their meat is not frowned upon. There is also, in marked contrast to the Indian government’s blanket approach to cattle terminology, a lucid distinction between cows (both the male and female) and other ‘cattle’ species (such as buffaloes and yaks).
The emergence of this contradictory, often paradoxical, approach to cattle slaughter in Nepal is the result of a careful balancing act by the rulers of modern Nepal. The Shah dynasty and the Rana prime ministers often found themselves at a crossroads to explicitly define the rules of cattle slaughter. As rulers of a perceived ‘asal Hindu-sthan’, their dharma bound them to protect the cow – the House of Gorkha borrows its name from the Sanskrit ‘gou-raksha’ – but as they expanded into an empire, their stringent Brahminic rules came into conflict with des-dharma, or existing local customs, where cattle-killing was a norm. What followed was an intentionally ambiguous approach to cattle slaughter, an exercise in social realpolitik.
<span>D. A short story set firmly in reality, told to illustrate a moral or religious lesson</span>
