FRITZ—But you are a woman. You must not expect people to trust you—too much. FRANK—I'm not going to spend my life explaining. FR
ITZ—(Sitting at L. of desk.) No—but you— FRANK—Oh, Fritz, don't. You've been so nice and so comfortable. And now you're beginning to worry. You see how much better it would have been for both of us if I'd never told you anything about myself and about Kiddie. How would an audio production differ from a stage production of this scene? Listeners would not have to focus on the words spoken by Fritz and Frank. Listeners would have to imagine the tones Fritz and Frank speak in. Listeners would not have to envision the props being used by Fritz and Frank. Listeners would have to visualize the dress and movements of Fritz and Frank.
An audio production of this scene will differ from a stage production of the same scene in that the listeners would have to visualize the dress and movements of Fritz and Frank. An audio production primarily appeals to the listener's hearing. It conveys the message of the scene by a change of tone or the use of objects to mimic a sound.
