Answer:
I believe it's participant observation.
Explanation:
Ans1.Discuss the difference between "Appropriation" and "Memeification" in the article from I Care If You Listen.
2.Read the article from Variety and explain how Erroll Garner's lawsuit was an important first step for black artists.
3.Read the New York Times article and discuss some of the ways that black music has been presented through non-black artists. Describe the example of a BLACK performer performing in "blackface". Describe Nat King Cole's experience in performing on TV.
4.Discuss the nature of the pushback that Elvis Pressley experienced by some white listeners. Give some examples of the appreciation he had with some black listeners.
5.Watch the Grapevie video and discuss five different viewpoints about Bruno Mars' cultural and musical appropriation.
Explanation:
Bruno Mars found himself caught in a heated debate about cultural appropriation over the weekend after an activist accused the "24K Magic" star of being a culture vulture profiting off of traditionally black music.
"Cultural appropriation," according to the Cambridge Dictionary, is "the act of taking or using things from a culture that is not your own, especially without showing that you understand or respect this culture."
Bruno Mars' mother is Filipina and his father is Puerto Rican and Jewish
But the Grammy-winning star is known for blending elements of funk, soul, R&B, regg
Answer:
I would believe it. If this is true, they should trace the original artist by style, flaws, fingerprints, initials, etc.
I believe we didn’t accept abstract as art for so long because it was different. When things are different we often (as humans) avoid it or think less of it. In this case it’s art. People often think there is a handbook to creating art. But there isn’t which is why abstract art was not accepted. You had to develop a story for it instead of it developing a story for you.
Hope this helped!!
In my opinion, the correct answer is <span>D. stated and restated in different forms. A theme isn't of lesser importance - on the contrary, it often forms the melodic spine of a work, e.g. a sonata or a symphony. It may recur many times throughout the work, in many different forms, with a changed tonality, another key, extended or shortened versions... </span>
