The southern sea by a country on the sea.
Answer:
hey it fine no one helping me answer it
Explanation:
Incomplete question. However, here's the clearly written/completed question;
The dates listed in the works cited page indicate:
a. important years in Mandela’s life.
eventful years in the author’s life.
b. years in which the sources were published.
c. years in which the student conducted research.
Answer:
<u>b. years in which the sources were published.</u>
<u>Explanation:</u>
Remember, this is a <em><u>biography</u></em> written by someone to explain the life story of another, in this case Nelson Mandela.
Therefore, inorder for the information to be verifiable, it is quite important that the years in which the sources of the information that led to the published work on Mandela's life be mentioned.
Answer:
Intimacy is a term that, despite its widespread use, remains relatively ambiguous” (Hirschberger, Florian, & Mikulincer, 2003, p. 676). This sentence underlines the difficulty to define and to measure family intimacy. Indeed, measuring family intimacy involves taking into account both several dimensions of the construct and different levels of analysis. In the literature, several definitions of intimacy have been provided (Erikson, 1963; Reis & Shaver, 1988). Often intimacy is defined using terms as cohesion, closeness, support, trust, self-disclosure, responsiveness, presence, interdependence, and positivity (Foley & Duck, 2006). Beside the subdimensions of the construct, intimacy could be also conceptualized referring to individual, interactional, relational, or family level. Regarding the individual level, it is conceptualized as personal willingness to be in a supportive and affective relationship
Explanation:
Answer:
Option C
Explanation:
“An Occurrence at Owl Creek Bridge” is an elaborately devised commentary on the fluid nature of time. The story’s structure, which moves from the present to the past to what is revealed to be the imagined present, reflects this fluidity as well as the tension that exists among competing notions of time. The second section interrupts what at first appears to be the continuous flow of the execution taking place in the present moment. Poised on the edge of the bridge, Farquhar closes his eyes, a signal of his slipping into his own version of reality, one that is unburdened by any responsibility to laws of time. As the ticking of his watch slows and more time elapses between the strokes, Farquhar drifts into a timeless realm. When Farquhar imagines himself slipping into the water, Bierce compares him to a “vast pendulum,” immaterial and spinning wildly out of control. Here Farquhar drifts into a transitional space that is neither life nor death but a disembodied consciousness in a world with its own rules.
