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Nineteen Eighty-four, also published as 1984, novel by English author George Orwell published in 1949 as a warning against totalitarianism. The chilling dystopia made a deep impression on readers, and his ideas entered mainstream culture in a way achieved by very few books.
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She thinks he has been rude and impertinent. She feels that he is trying to flirt with her.
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What does the narrator of "The Tell-Tale Heart," want people to think about him? He wants people to think he is intelligent & patient.
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In "The Tell-Tale Heart," the narrator is speaking directly to the reading audience. In the first line of the story, the narrator says, ". . .but why will you say that I am mad?" Here, the "you" directly addresses the reader.
At the end of the story, the narrator hears his victim's heart beating underneath the floorboards. His heightened sensitivity to imagined sounds demonstrates his paranoia and mental instability. It's also possible he mistakes the sound of his own accelerating heartbeat for the dead man's Hereof, why does the narrator think he is not mad in the Tell Tale Heart? The narrator does not want his listeners to believe that he is mad because he wants what he has to say to be taken seriously and not written off as the ravings of a lunatic. Why does the narrator finally confess to the murder? He hears the heart pound and he thinks that the police can hear it but aren't tell. ... It was his own heart beat.So, the title also refers to the narrator's heart. ... We could look at the whole story of the old man's murder as a tale told by the narrator, a tale from his own heart. The title refers to both the narrator's heart, and to the old man's heart, and to the tales told by both.
Metaphysical poetry in the seventeenth century broke away from conventions of lyrical poetry. The difference is apparent in the choice of cacophonousimagery...
Johnson put five poets in this category: John Donne, Andrew Marvel, George Herbert, Richard Crashaw, and Henry Vaughan. However, they never worked as an organized literary movement. They didn't even read each other. It is only today that we can consider them akin.
As for cacophonous imagery, it was one of their foremost characteristics. The word choices and similes would often be shocking and unusual, not just for their own time but even later. For example, comparing two lovers' souls with two compasses in Donne's A Valediction Forbidding Mourning.
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