In the early 1930s, Lange, mired in an unhappy marriage, met Paul Taylor, a university professor and labor economist. Their attraction was immediate, and by 1935, both had left their respective spouses to be with each other.
Over the next five years, the couple traveled extensively together, documenting the rural hardship they encountered for the Farm Security Administration, established by the U.S. Agriculture Department. Taylor wrote reports, and Lange photographed the people they met. This body of work included Lange’s most well-known portrait, “Migrant Mother,” an iconic image from this period that gently and beautifully captured the hardship and pain of what so many Americans were experiencing. The work now hangs in the Library of Congress.
As Taylor would later note, Lange’s access to the inner lives of these struggling Americans was the result of patience and careful consideration of the people she photographed. “Her method of work,” Taylor later said, “was often to just saunter up to the people and look around, and then when she saw something that she wanted to photograph, to quietly take her camera, look at it, and if she saw that they objected, why, she would close it up and not take a photograph, or perhaps she would wait until… they were used to her.”
This happens when Ruby becomes disappointed with Tom when the hose leaks and Ruby can no longer dive. The two stop hanging out, and Tom loses her friendship.
The light, then, is the light that her friendship brought to his life. Her friendship is light -- it is happiness and is joy to Tom. When the two friends stop hanging out, the light goes out of the marsh. The author is saying the joy has gone out of Tom's life.
the answer is C you can argue both about that
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Explanation:
The answer would be <span>Africanized honeybees are now known as killer bees for several scary but legitimate reasons. because this is what the passage is mainly talking about</span>
