Answer:
the anwser is E
Explanation:
Linda Nochlin’s “Why Have There Been No Great Women Artists?” (1971) is generally considered the first major work of feminist art history. Maura Reilly, a curator, writer, and collaborator of Nochlin’s, described the work as “a dramatic feminist rallying cry.” “This canonical essay precipitated a paradigm shift within the discipline of art history,” Reilly states in her preface to Women Artists: The Linda Nochlin Reader (2015), “and as such her name became inseparable from the phrase, ‘feminist art,’ on a global scale.” A dryly humored analysis of the values by which artists are historicized and discussed, “Why Have There Been No Great Women Artists?” posited the first methodological approach for the discipline: that instead of bolstering the reputations of critically neglected or forgotten women artists, the feminist art historian should pick apart, analyze, and question the social and institutional structures that underpin artistic production, the art world, and art history.
In her own words, Nochlin grew up in “a secular, leftist, intellectual Jewish family” in Crown Heights, Brooklyn. In 1951, she graduated with a BA in philosophy and a minor in Greek and art history at Vassar College. Vassar is one of the so-called “Seven Sisters,” a group of historic women’s colleges along the Northeastern US (it became coeducational in 1969). “The good thing about a women’s college…was that women had a chance to do everything,” Nochlin stated in a 2015 interview with Reilly. “We were not pushed to the margins because there were no gendered margins…we were all there was.” In 1952, Nochlin obtained a masters in English literature at Columbia before undertaking her PhD in art history at the Institute of Fine Arts, New York University, where she wrote her doctorate on the work of Gustave Courbet. Aside from “Why Have There Been No Great Women Artists?,” Nochlin is perhaps best known for her 1971 book, Realism, a landmark study on the 19th-century movement.
Answer:
Sewing machine, Fabrics and thread, needle and scissors.
Explanation:
There are many tools of trade that are necessary when it comes to fashion and interior design but the
three tools of the trade that I think are most important are;
- The sewing machine: This is the most important tool when it comes to fashion. If there are no machines, how to you intend to sew your fabrics? How do you intend to reproduce what you have imagined or seen somewhere? Therefore this one tool is vital in setting up a fashion store. What of the fabrics to sow? Don't be bothered, customers will come with that and this will lead me to the next important tool which is fabrics.
- Fabrics: without Fabrics there is no way you can reproduce what you have thought of or what you have seen in the fashion magazine, there is no way you can let people know about your work and what you can create with your creativity.
-Thread, needle and scissors: This are also important in the joining and creation of the cloth you deserve. Without needle, threads and scissors, then there no production of clothes. They are as such as important as your sewing machine.
Answer:
Is this your song, its confusing but at the same time i get it!
Explanation:
Answer:
B. It embodies the Naturalist style of painting humans and nature exactly as they appear
Explanation:
Answer BY :
<em><u>Lauvandra </u></em><em><u>Arxecalliston</u></em>
Answer:Because they dont want to get hurt
Explanation:
