Answer: Religions use art to show their beliefs to other people. They use vivid colors and images to appeal and draw attention. Christianity, Buddhism, and Hinduism use works of art in the interiors and exteriors of the places of worship as a way of connecting gods with people.
Answer:
Explanation:
es una manera de expresar nuestro estado de animo o sentimiento dependiento de la musica yque estamos bailando y de como la bailamos
Answer and Explanation:
Society in which we live is trending on social media, So it is easily understood why so many believe that the art of classical music is irrelevant. More music being produced in today’s era than ever before, and many artists drawing inspiration from classical pieces; this old art is being formed from long dead.
Over the centuries, classical music has transformed itself and has become a building block of music. Moreover, today, it helps to set the framework for musicians of all types. Many studies have even shown that music especially learning or listening to classical, can have various benefits.
Music's roots are crucial; classical music has now reached further than just a step in music’s evolution. Many famous artists in today’s music industry have a close relationship with classical music. Many of today’s musicians grew up playing classical instruments such as the piano or violin.
Early music is so deep-rooted that it will lose its true essence if we separate it from modern music.
Explanation:
Rhythm, in music, the placement of sounds in time. In its most general sense, rhythm (Greek rhythmos, derived from rhein, “to flow”) is an ordered alternation of contrasting elements. The notion of rhythm also occurs in other arts (e.g., poetry, painting, sculpture, and architecture) as well as in nature (e.g., biological rhythms).
Rhythm
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RELATED TOPICS
Music
Eurythmics
Metre
Rhythmic mode
Īqāʿāt
Isorhythm
Period
Aksak
Beat
Colotomic structure
Attempts to define rhythm in music have produced much disagreement, partly because rhythm has often been identified with one or more of its constituent, but not wholly separate, elements, such as accent, metre, and tempo. As in the closely related subjects of verse and metre, opinions differ widely, at least among poets and linguists, on the nature and movement of rhythm. Theories requiring “periodicity” as the sine qua non of rhythm are opposed by theories that include in it even nonrecurrent configurations of movement, as in prose or plainchant