Answer:
um i got joggers from pink
i got a set of lotions and perfumes from bath and body
Explanation:
Answer:
Warm colors—yellow, orange, red and combinations therein—breathe energy, positivity and a sense of sunshine into any room. Cool colors—green, blue and purple—evoke relaxation and calm. Neutrals like white and gray can also lean warmer or cooler depending on their undertones.
<span>The factors that affect the nutritional requirements of an individual are the quality and quantity of the food they eat, the efficiency of their digestive system in absorbing and utilizing eaten food and biochemical availability.</span>
Answer:
Hard Bop
Explanation:
Hard Bop was birthed as an opposition to cool jazz of 1950s and was played mostly by urban musicians (from Philadelphia and Detroit) reflecting an East Coast, extroverted response to urban life.
While cool jazz preferred a light timbre, hard bop preferred a sound that was heavy, dark and impassioned. The saxophone of choice was tenor which replaced the alto and drummers played in a more assertive style.
Answer:
Explanation:
Surrealism, movement in visual art and literature, flourishing in Europe between World Wars I and II. Surrealism grew principally out of the earlier Dada movement, which before World War I produced works of anti-art that deliberately defied reason; but Surrealism’s emphasis was not on negation but on positive expression. The movement represented a reaction against what its members saw as the destruction wrought by the “rationalism” that had guided European culture and politics in the past and that had culminated in the horrors of World War I. According to the major spokesman of the movement, the poet and critic André Breton, who published The Surrealist Manifesto in 1924, Surrealism was a means of reuniting conscious and unconscious realms of experience so completely that the world of dream and fantasy would be joined to the everyday rational world in “an absolute reality, a surreality.” Drawing heavily on theories adapted from Sigmund Freud, Breton saw the unconscious as the wellspring of the imagination. He defined genius in terms of accessibility to this normally untapped realm, which, he believed, could be attained by poets and painters alike.
