Answer:
idk you tell me bum ahh lil kid
Explanation:
The answer is option C:
It’s hard to believe, but a shortwave radio can take you around the world for a song.
Informal English is the style in grammar, vocabulary and punctuation used in relaxed situations with people we know well. Typical informal constructions include direct speech, contractions, phrasal verbs, clichés, simpler choice of vocabulary items and extra punctuation.
Answer:
Athena, like Odysseus, is a clever, crafty schemer and also good at demonstrating and executing actions.
Explanation:
Homer's "The Odyssey," tells the story of how Odysseus and his men journeyed back to Ithaca. Though covering the time from after the Trojan War, their journey is replete with numerous encounters and conflicts with both man and gods alike, leaving them so delayed in getting to their destination, with the only surviving man to arrive home being Odysseus.
At times disguised as Mentor, Athena helped Odysseus and even Telemachus in their journey. Athena finds herself similar to Odysseus in that they are both crafty schemers, contrived, driven, and clever. She knows Odysseus will get through the journey but feels the need to at times guide him, for they are similar in ways and she felt she knows how he feels sometimes.
This poem written by Marianne Moore has had several versions written by the author herself, given her desire on being clear and precise. The first version of this poem appeared in 1919 and it comprised 30 lines, which then she cut down to 13 in 1925. Then, finally, in 1967, she published a final version that was cut down to only 4 lines. A lot of criticism has been given to this poem as it seems at first that the poet is literally saying that she dislikes poetry. However, this comes because the last version of the poem does not give the reader a glimpse into what the author means really and whether she truly dislikes all poetry or not. However, after much studying it is discovered that what Moore is saying is not that she dislikes all poetry, but only the type that has given precedence to intelligence over imagination and therefore becomes so convoluted that people are incapable of understanding it. She, in turn, defends the type that she considers good and acceptable poetry and she defines it as the one where the imagination overcomes the intelligence and the abstract and allows the reader to almost feel what the author is trying to convey. This can be seen in this particular excerpt from the line that says thus: "nor till the poets among us can be "literalists of the imagination" - above insolence and triviality and can present for inspection, "imaginary gardens with real toads in them," shall we have it."
