Answer:
Trade unions in Africa have received a great deal of attention from various labour analysts, especially in regard to their contributions to the struggles against neoliberalism during the harsh time of structural adjustment programs. The kingdom of Swaziland (recently renamed as Eswatini) has constantly been faced with persistent labour unrests associated with increased demands for democratic openness (Simelane, 2016).
Locating trade union activism along these lines suggests that unions are neither delinked from the state nor regional or global institutions. Thus, as a way of consolidating their strategies, they make use of various public spaces, either at the local or international level to raise their grievances and issues. Like most of the civil society organisations, they can demonstrate leverage (capacity and power) to engage institutions at different geographical levels. This engagement shapes their strategies and practices as well as the various roles that trade union actors play in regional governance.
False, the Hippocratic Oath states, to treat the ill to the best of one's ability, to preserve a patient's privacy, to teach the secrets of medicne, and so on.
People have taken stands both good and bad
<h3>The major cultural contribution to the empire is <u>Mosaic</u> :)</h3>
Answer:
Though these patterns are subject to revision as the field expands or is refined, they provide a basis on cultural variations
Explanation:
FOLK ART is rooted in traditions that come from community and culture – expressing cultural identity by conveying shared community values and aesthetics. FOLK ART encompasses a range of utilitarian and decorative media, including cloth, wood, paper, clay, metal and more.
The most distinctive characteristics of "folk art" concern the materials and creative techniques used. Thus, unlike in more sophisticated art, "folk art" tended to make use of natural substances like wood, straw, clay and so on. Tools tended to be fewer in number but invariably multi-purpose.
