The correct answer is D. Supporting evidence
Explanation:
In writing, the main idea is the main point the author writes about which is usually connected to an argument, position, point of view, etc. This main or central idea is the one that guides all the process of writing and that is introduced in the first paragraph, then developed in the body paragraph and restated or summarized in the last paragraphs. Additionally, main ideas are commonly developed through supporting evidence that includes sub-ideas, reasons, quotes, example, statistics, etc organized in multiple paragraphs. Thus, a writer needs to develop the main idea by using supporting evidence.
Answer:
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Explanation:
2.Yoshi sells a group of hand-made
dolls at the craft fair.
3. Benito knows Gina longer than Marie.
4.Mrs Flores scared some little children making a haunted house at her garage on Halloween's day.
5. You can find with a current library card the titles of book about stamp collection in a library.
6. Alex toolbox contains some valuable tools his father gave him.
7. His floppy hat was getting into his eyes.
Answer: Sometimes immigrant parents decide not to teach their children a heritage language because they think it will hinder their children's chances for success in their new country. It is a parent's choice to decide what language they wish to raise their child in.
Explanation:
Answer:The poets of the next generation shared their predecessors’ passion for liberty (now set in a new perspective by the Napoleonic Wars) and were in a position to learn from their experiments. Percy Bysshe Shelley in particular was deeply interested in politics, coming early under the spell of the anarchist views of William Godwin, whose Enquiry Concerning Political Justice had appeared in 1793. Shelley’s revolutionary ardour caused him to claim in his critical essay “A Defence of Poetry” (1821, published 1840) that “the most unfailing herald, companion, and follower of the awakening of a great people to work a beneficial change in opinion or institution, is poetry,” and that poets are “the unacknowledged legislators of the world.” This fervour burns throughout the early Queen Mab (1813), the long Laon and Cythna (retitled The Revolt of Islam, 1818), and the lyrical drama Prometheus Unbound (1820). Shelley saw himself at once as poet and prophet, as the fine “Ode to the West
Explanation: